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Browse every entry in the Codex of Madun — locations, cultures, creatures, language, and history from the Daninsha universe. CODEX The collected knowledge of the Daninsha star system. Preserved in stone and story, the Archive is a growing repository of history, culture, language, and life on Madun and beyond. Here, all that remains - and all that is still discovered - is recorded for those who wish to understand. Here you will find each and every entry of the archive sorted by faction and filterable by category in one complete list for you to browse through. Geography Flora History Fauna Cultures Characters All Categories Common Phrases Learn your first phrases in Drabàshabal - Read More Derivation & Word Formation How words are formed - Read More Nouns & Plurals How to name things in Drabàshabal - Read More Phonology & Alphabet The Sounds of the Nodilani Tongue - Read More Pronouns How the Nodilani address each other - Read More Verbs & Conjugation The backbone of the Nodilani tongue - Read More Word Order & Syntax How phrases are formed in Drabàshabal - Read More Awashalani The Riding Poets Awashalani Read More Krovil The Lord of the Land Awashalani, Imperi kòu Hanjelani Read More Asukul Last Living Shint’twalàn of the Endudjan Endulani Read More Bvaborul kòu Shint'wal The Temple of Knowledge Endulani Read More Bvaraf The Ulterior Jarl Endulani Read More Danjul Borùmvil The West Port Endulani Read More Endulani The People of the Mist Endulani Read More Endunedul The Misty Heart Endulani Read More Endura The Good Soul of Endunedul Endulani Read More Forest Island Where the Wolves live Endulani Read More Shulunbao Mirewood or "Fleshtree" Endulani Read More Sulanum The Madun Liberty Cap Endulani Read More Sulejel The Mistwalker Endulani Read More The Apprentices The Hope of the Shint'walan Endulani Read More Danlina The Capital Imperi kòu Hanjelani Read More Formularium The Hall of Mathematical Records Imperi kòu Hanjelani Read More Fèran Ùmbvakul The Subrim Komándan Imperi kòu Hanjelani Read More Hanjelani The Empire of the True Descendants Imperi kòu Hanjelani Read More Mining & Forging The Metal Economy of Shawadjàn Imperi kòu Hanjelani Read More The Southern Isles The Islands Towards the Sun Imperi kòu Hanjelani Read More Worsili Borùmvil The Port of Worsley Imperi kòu Hanjelani Read More Keith Waters The Protagonist Keith Waters Read More Maiko The Ghost of the Valkyrie Keith Waters Read More Valkyrie The Valkyrie Keith Waters Read More Kosuhedjun The Desert Vessel Kosuklani Read More Shadunar The Sky Beast Kosuklani Read More Kosuklani The People of the Sand Kosuklani, Imperi kou Hanjelani Read More Daninsha Our Star Mama Gadun Read More Daninsha System The Star System of Madun Mama Gadun Read More Enduvijara Moving with the Mist Mama Gadun Read More Kelujeva "Moon Growth" or Lunareth Bloom Mama Gadun Read More Madun The New World Mama Gadun Read More Mama Gadun The Cosmic Godmother Mama Gadun Read More Muruhal Death from Above Mama Gadun Read More Muruldjan The Land of Death Mama Gadun Read More Nashurul The Flower of Death Mama Gadun Read More Pashunarak The Lord of the Seas Mama Gadun Read More Ranurul The Floating Rocks Mama Gadun Read More Uleiran Those Which Are Flowing in the Wind Mama Gadun Read More Vejalanin The Starspine Fern Mama Gadun Read More Veltheran Tree The Armored Tree Mama Gadun Read More Calendar Tracking Time on Madun Nodilani Read More Livestock from Earth Terrestrian Animals on Madun Nodilani Read More Religion The Godesses of Madun Nodilani Read More Ronava The Carrier of Breath Nodilani Read More Shawadjan The Realm of Humanity Nodilani Read More Starlight Runes The Script of Madun Nodilani Read More Subrim An Asymmetric Tafl Game of Power and Inevitability Nodilani Read More Sulmalan The Soulmother Nodilani Read More The Lost Thread Technology and Knowledge After the Fall Nodilani Read More Understanding of the World The Cosmologies of Madun Nodilani Read More Drabàshendol The Pirate Capital Pashevalani Read More Pashevadjan The Western Isles Pashevalani Read More Pashevalani The People of the Tide Pashevalani Read More Jarod Worsley The Man Who Found Their Home Rothbard Foundation Read More Robert B. Dunlin and the Rothbard Foundation Visionary of the Stars Rothbard Foundation Read More The Cause The Incident Rothbard Foundation Read More The Revolution The Great Division Rothbard Foundation Read More Theseus The Generation Ship Rothbard Foundation Read More Creation Myth Language Guide Open Glossary

Browse the living dictionary of Drabàshabal — the native tongue of Madun. Each entry includes meanings, roots, and usage notes. Drabàshabal Dictionary A Open C Open E Open G Open I Open K Open M Open O Open Q Open S Open U Open W Open B Open D Open F Open H Open J Open L Open N Open P Open R Open T Open V Open Y Open Codex Language Guide Daninsha Universe

Keith Waters, the stranger from Earth. Mechanic, outsider, spark of change in a world not his own. Maiko's Note 00:00 / 00:57 Keith does remember. The silence of the mines. The heat of broken circuits. The way war feels when it ends and no one is cheering. When I first saw him in the crater, I felt it — not fear, not awe, but gravity. Like the world had just grown heavier, more real. That’s what Keith is: the weight of history finally coming home. They call him Kis Wat’Èras. Keith is the Earth. And I think they’re right. He carries all of us — the lost, the forgotten, the ones who didn’t make it. And he does it with hands still stained with engine grease. Not all heroes wear cloaks. Some wear old jackets and weld things back together. And if you’re lucky… they bring their AI with them. The Protagonist Shindjal: Kis Wat'Èras Faction: Keith Waters "He came not with fire, but with silence. Not to rule, but to remember. The stars forgot us - but he did not." — Inscribed above the grove where Keith first stood among the Endulani 1. Overview Keith Waters is the central figure of the Daninsha saga - a mechanic, war veteran, and reluctant savior whose arrival on Madun marks a turning point in history. Scarred by the losses of Earth’s final war, yet resourceful and grounded, he carries within him the knowledge of a world that has long since vanished into myth. On Madun, he becomes Kis Wat’Eras - Keith is the Earth - a name that speaks not only to his origin, but to his symbolic role as the last true son of humanity’s ancient cradle. Facebook X (Twitter) WhatsApp LinkedIn Pinterest Link kopieren 2. Origin Keith was born on Earth , in the United West - one of the large international mega-unions formed before the war. He grew up in the shadow of political decay and growing militarization, and when war broke out across the solar system, he was drafted into the United West Space Force . He served aboard a massive war cruiser far from his home and family. There, amid orbital bombardments and the cold logic of military command, he witnessed humanity’s unraveling. He lost his wife and daughter to a bombing raid - a wound that never closed. After the war, unwanted and adrift, Keith turned away from people. He joined Kuiper Corp , working as a deep-space mechanic on remote asteroid mining platforms. His ship, the Valkyrie , once served in the war as a casualty retrieval vessel before being sold off to Kuiper Corp. By then, it was just a machine with a past - like him. 3. The Disappearance Keith’s story begins not with purpose, but confusion. He awakens alone in the pilot’s seat of the Valkyrie , deep in an uncharted region of space. The ship is dead. Maiko - his onboard AI and sole companion - is silent. He has no memory of how he arrived there. Through sheer technical instinct, Keith reboots the fusion core and brings Maiko back online. The ship, damaged but intact, responds. Together they trace a signal and find Madun , a planet never charted, hidden behind gravitational distortions and silence. It is Maiko - precise and confident - who pilots the descent through a narrow pass in the northern mountains and lands them gently in a crater. As she would later quip, "I do not crash." 4. Life on Madun Discovered by the Endulani , Keith is taken in by the secretive forest tribe. Despite the language barrier, the elder Asukul quickly recognizes what Keith represents: a link to the ancient truth, long buried beneath myth and conquest. Asukul teaches him Drabàshabal , the language descended from children of the Theseus , and helps him assimilate. Keith finds peace - and purpose - among the Endulani. He learns their customs, repairs broken tools, and shares quiet moments beneath alien stars. In time, they come to call him Kis Wat’Eras - Keith is the Earth - for he alone carries the full memory of that distant blue world. 5. Maiko: The Last Companion Keith’s only constant is Maiko , the AI embedded in the Valkyrie and linked to his mind through a neural implant. She is more than a system - she is the voice of his past, his navigator, his conscience, and sometimes his only friend. Their bond goes beyond command lines. Through Maiko, Keith sees visions, receives data overlays, and interacts with the world in ways no one else can. To the Endulani, Maiko is invisible - yet ever-present, like a star that never dims. 6. Role in the Story Keith’s presence is a catalyst. His arrival on Madun reawakens questions long buried beneath stone: Where did humanity come from? What became of the Theseus ? And could the old world return? To the Imperi kòu Handjelani , the answer is yes - and Keith may be the key. The Empire does not suppress the past; they worship it . Their temples are carved with the salvaged knowledge of the Theseus , and they dream of reclaiming the godlike technology that once lifted humanity among the stars. Keith, as the last true child of Earth, becomes an object of imperial obsession. If he can lead them to the Theseus , the Empire believes it can rise again - not just as rulers of Madun, but as heirs to the cosmos. But Keith is not theirs to claim. He is a builder, not a conqueror. A man who has seen the price of ambition and refuses to pay it again. In the quiet forests of the Endulani, he has found something the Empire never will: a new beginning. 7. Lore Snippets "We found him in the morning. He stood in the old crater, steam rising from the metal bird behind him. He did not speak. Just watched the trees like they might speak first." — Lijul, Endulani farmer "Kis Wat’Eras… it is not a name. It is a truth. He is the Earth. The lost soil. The forgotten wound. He does not walk like one of us — he carries too much beneath his feet." — Asukul, Shint’twalàn elder "Subject: Keith Waters. Former UW combat engineer. Deep trauma index. AI tether intact. Neural pathways stable. Potential lead to Theseus: High. — Directive: Secure. Intact. Alive." — Imperial Data Shard #774-K, recovered from Hall of Records "You humans always thought loss made you weak. But you never understood - loss is what keeps you anchored. That’s why you didn’t drift forever." — Maiko, in private log Maiko's Note 00:00 / 00:57 Keith does remember. The silence of the mines. The heat of broken circuits. The way war feels when it ends and no one is cheering. When I first saw him in the crater, I felt it — not fear, not awe, but gravity. Like the world had just grown heavier, more real. That’s what Keith is: the weight of history finally coming home. They call him Kis Wat’Èras. Keith is the Earth. And I think they’re right. He carries all of us — the lost, the forgotten, the ones who didn’t make it. And he does it with hands still stained with engine grease. Not all heroes wear cloaks. Some wear old jackets and weld things back together. And if you’re lucky… they bring their AI with them. Back to Codex Outtakes Open Glossary Edit

Explore all Drabàshabal words beginning with the letter C. Part of the Madun Archive conlang dictionary. DRABÀSHABAL DICTIONARY This living lexicon records the growing tongue of the Nodilani. Words are listed alphabetically by their root letter. Select a letter down below to explore. A B C D E F G H I J K L M N O P Q R S T U V W Y < Back C Drabàshabal → English Previous BACK TO LANGUAGE Next English → Drabàshabal can (ability) → kevij carry / take → djuna cause (the why) → vynutel child → kelan citizen (person) → lan , nodilan (human of Madun) city → (no direct lexeme; use djan “place” with name) clan / family → nodaibao close / to close → ùmdra closed → ùmdrag cold → (opposite of sumala; no root word defined) comet → inshajel come (motion toward) → heje commander (title) → komándan companion / person → lan comprehend / understand → vyshin concept of star-glitter / sparkle → lanin conscience / inner-sight → (use shinal “sight” + context) control / to hold → gavu coordinate → popol coordinates (plural) → popoli country / land → djan create / make → vij cry (tear) → pashinsha cut / strike → dura Previous BACK TO LANGUAGE Next Language & Script Language Guide Codex

Explore all Drabàshabal words beginning with the letter U. Part of the Madun Archive conlang dictionary. DRABÀSHABAL DICTIONARY This living lexicon records the growing tongue of the Nodilani. Words are listed alphabetically by their root letter. Select a letter down below to explore. A B C D E F G H I J K L M N O P Q R S T U V W Y < Back U Drabàshabal → English udjan (interrog.) – where (ute + djan = which place) ulei (interrog./adv.) – how, in what way, like, as uleiran (n.) – Ukeiran (ulei + ran + vu + awash = like like flowing in the wind) uleiju (adj.) – quiet, silent (ulei + ju = like sleep) ùm (adj.) – fixed, hard, rooted, grounded ùmbao (n.) – tree (ùm + bao = grounded overhang) ùmbor (n.) – carapace, armor, shell (ùm + boro = hard and secure) ùmborbao (n.) – Veltheran Tree (ùm + boro + ùmbao = armored tree) ùmbvakul (n.) – mountain (um + vakul = grounded height) ùmdjan (n.) – field (um + djan = grounded place) ùmdra (v.) – to close (um + dra = make grounded/shut) ùmdrag (adj.) – closed, shut (past participle of ùmdra) ùminsha (n.) – fixed star ùmku l (n.) – fixed star (ùm + kul = hard stuff) ùmpal (n.) – ground, floor, deck ùmvij (v.) – to fix, to anchor, to make fast (um + vij = to ground/fix) uran (interrog.) – when ushalel (interrog.) – how many, how much (ulei + shalel = in what number) ute (interrog.) – who, what, which Previous BACK TO LANGUAGE Next English → Drabàshabal ugly / bad → raku under / below / down → asu understand → vyshin universe → gadun Ulmorith → pàshunarak use / make use → vij Previous BACK TO LANGUAGE Next Language & Script Language Guide Codex

Explore all Drabàshabal words beginning with the letter S. Part of the Madun Archive conlang dictionary. DRABÀSHABAL DICTIONARY This living lexicon records the growing tongue of the Nodilani. Words are listed alphabetically by their root letter. Select a letter down below to explore. A B C D E F G H I J K L M N O P Q R S T U V W Y < Back S Drabàshabal → English sha (num./art.) – one, a shadunar (prop. n.) – sky beast (from awashadun + walanar = sky + animal) shalel (n.) – number, amount, unit shang (num.) – ten shawa (adj./num.) – first shawaboran (n.) – forenoon (shawa + boran = first day part) Shawadjan (prop. n.) – the main continent (possibly from shawa + djan = first land) shin (v.) – to see shinal (n.) – sight shin rakul (phrase) – to be afraid (to see evil) shin te wa (phrase) – to know (to see what is) shin te wa pan (phrase) – to remember (to see what was before) shindja (v.) – to draw, to map, to register shindjal (n.) – drawing, map, name, mark shint'wadjun (n.) – science (shint’wal + djun = knowledge-vessel) shint'wal (n.) – knowledge (from shin te wa = to see what is) shint'walan (n.) – scholar, knowledge keeper (knowledge + person) shinteje (v.) – to watch out, to guard shintejel (n.) – nightwatch, guard shulun (n.) – body, flesh shulunbao (n.) – Mirewood Tree (shulun + ùmbao = body tree) shulunemal (n.) – lovely body (from shulun vynutemal = body to fall in love with) shulunora (v.) – to have sex (from shulunorag) shulunorag (n.) – sex, sexual intercourse (shuluni + orag = bodies against each other) subrim (komándan) (title) – Supreme Commander (Imperial title; possibly from Earth term) sul (n.) – life, soul, spirit sulana (v.) – to grieve, to feel sorrow/remorse (sul + rana = the soul bleeds) sulanal (n.) – grief, sorrow, remorse (sul + rana = the soul bleeds) sulanum (n.) – liberty cap mushroom (sul + walanum = soul-plant) sulborol (n.) – beer, ale (sul + borol = soul-strength) sulejel (prop. n.) – name of the death forest guardian (possibly sul + e + jel = spirit that walks) sulmalan (prop. n.) – name of a goddess (sul + malàn = soul-mother) sumal (n.) – warmth, feeling of security (sul + mala = good life) sumala (adj.) – warm (sul + mala = good life) Previous BACK TO LANGUAGE Next English → Drabàshabal safe / secure / strong → boro safe embrace / spooning → borumal sand → kosuk sand person → kosuklan scholar → shint’walan science → shint’wadjun sea / ocean → pàshun second → djawa see (verb) → shin see (understand) → vyshin see what is (know) → shin te wa see what was before (remember) → shin te wa pan secret / hidden → endor secure anchor place / harbour → borùmvil security / strength (adj) → boro send / throw → toba shelter / house → borojul ship / vessel (world-ship) → dundjun ship / boat (water) → pashadjun sister → wakel sit → guma sky → awashadun sky beast (Shadunar) → shadunar sleep (verb) → ju sleep (noun) → jul small → kel smile → (not defined) snow → (not defined) son → (no lexeme) soon → hanpa sound / resonance → bural south → han daninsha space / universe → gadun sparkle / glitter → lanin speak → aba spirit / soul / life → sul star → insha star finder (person) → jiwashinshal Starlight Rune → kulin inshalanin stand (verb) → pona stand up → ponak storm / bad wind → rakulawash strike / hit → dura strip / bare → deran strong / safe / secure → boro student → (use lan with shint’wal context) sun → Daninsha supper / evening meal → (context via nodibaran “evening”) sword / blade → (not defined) Previous BACK TO LANGUAGE Next Language & Script Language Guide Codex

Explore all Drabàshabal words beginning with the letter R. Part of the Madun Archive conlang dictionary. DRABÀSHABAL DICTIONARY This living lexicon records the growing tongue of the Nodilani. Words are listed alphabetically by their root letter. Select a letter down below to explore. A B C D E F G H I J K L M N O P Q R S T U V W Y < Back R Drabàshabal → English raku (adj.) – bad, evil rakul (n.) – badness, evil rakulan (n.) – villain, enemy (rakul + lan = evil person) rakulawash (n.) – storm, fart (rakul + awash = bad wind) rakulijul (n.) – nightmare (rakul + lijul = bad dream) ran (n.) – time rana (v.) – to flow, to bleed (often used for water or time) ranal (n.) – blood ranapash (n.) – river *(rana + pash = flowing water; also seen as rapash ) rankudjal (n.) – rhythm, frequency (ran + kulindjal = time pattern) rankulja (v.) – to dance (ran + kulindjal + vijara = to move with rhythm) ranurul (n.) – Ranurul (ranal + murul = blood death, a sea creature) rekal (n.) – raven, crow ri (num.) – nine ring (num.) – ninety rona (v.) – to breath ronal (n.) – breath ronava (n.) – beer, ale (ronal + va = breath carrier) ronura (adj.) – soft, gentle (ronal + kura = breath touches) Previous BACK TO LANGUAGE Next English → Drabàshabal rage / violence → tarak rain → (not in lexicon) raven / crow → rekal receive / get → hedjuna (fetch/bring) red → (not defined) remember → panshin resist / defend → oràgtara rhythm → rankudjal river → ranapash (also rapash) road / path → je (walk) + djan (place) context rock / stone → krolo room / space (inside) → vu (in) + context run → jewasha Previous BACK TO LANGUAGE Next Language & Script Language Guide Codex

Explore the lore of Awashalani in the Madun Archive: detailed worldbuilding, cultural depth, and history from the world of Madun. Maiko's Note 00:00 / 00:50 They don’t build cities. They ride them. Every ranch is a moving poem—hooves, wind, and sun. I’ve always admired their way of living: not by borders or laws, but by the rhythm of grass and sky. The Awashalani were never conquered. They just made a deal, rode in from the sunrise, and charmed the Empire into leaving them be. That’s the thing about them—you can’t pin them down, but they’re not lawless either. They’re grounded in ways that don’t need fences. And if you walk the henge at dawn and feel the light touch your skin, you’ll understand something wordless that only the plains can teach. They live in rhythm with the world. Not behind it. The Riding Poets Shindjal: Awashalani Faction: Awashalani “The sun rises, the herd moves, and the land remembers its path.” 1. Overview The Awashalani are a plains-dwelling people known for their horsemanship, sun rites, and deep-rooted traditions. Though absorbed into the Imperi kòu Hanjelani , they retain a distinct cultural identity grounded in clan structure, seasonal cycles, and a strong sense of ancestral continuity. Their society is built not around cities, but around ranches - widely scattered family estates, each largely self-sufficient but united through trade and shared solar observance. Facebook X (Twitter) WhatsApp LinkedIn Pinterest Link kopieren 2. Origins & Background The Awashalani are descended from the plainsfolk of the generational ship Theseus . Early after landing, their ancestors moved into the vast grasslands of Shawadjàn , where they began domesticating animals and tracking seasonal migrations. Their name comes from awashar (horse) + -lani (people). They famously re-bred the small Falabella horses of Earth into the powerful Faradun , a line of strong and resilient warhorses suited to Madun’s expansive terrain. Though under Imperial rule today, the Awashalani were never conquered by force. Instead, they integrated voluntarily , trading their strength in cavalry and livestock for autonomy and continued prosperity. 3. Cultural & Environmental Context Awashalani culture revolves around three pillars: the sun , the horse , and the clan . They live in scattered ranches , each ruled by extended family elders. While they do not form towns or cities, they are not nomads - each family maintains deep ties to their land and its henge. Solar henges serve as cultural centers: ritual spaces for festivals, seasonal tracking, and clan gatherings. These sites are carefully maintained and protected, aligning with the cycle of Daninsha , the star goddess they honor. Awashalani clothing is practical but decorated - cloaks and saddlecloths are often stitched with sun-shaped runes , and warriors may paint ceremonial designs onto shields, horses, or garments during festivals. Tattoos, especially facial ones, are rare and viewed as uncultured - more common among the Kosuklani or Pashevalani . 4. Role in the World Though peaceful by temperament, the Awashalani field one of the most respected cavalry forces on the continent. They trade all kind of agricultural goods like grains, wool, and leather. Their military contribution to the Empire includes: Fast-moving archer cavalry trained in ambush and retreat tactics. Elite heavy cavalry wielding long lances, often armored and mounted on powerful Faradun steeds. While they do breed the massive Krovil , these beasts are not used in war. Their bulk is valued for transport and agricultural strength, not battlefield speed. The Awashalani maintain good standing with the Empire , benefiting from state-backed trade of horses, grain, and beasts. They also share ideological ties with the Kosuklani , though the latter are more ascetic and nomadic. The Awashalani prize stability , and many see Empire cooperation as a way to protect that. 5. Language & Terminology Awashalani = People of the Plains (awashar = horse) Awashar = horse Faradun = rebred warhorse descended from Earth’s Falabella Awasharana = horse-herder or ranch master Daninsha = “Our Star” – sun goddess Henge = stone circle marking seasonal changes Hanjeran = toward the future / post-solstice period 6. Notable Locations & Figures Sacred Henge of Shanrah - The oldest known henge still in use. It marks the longest day of the year with perfect solar alignment. Makel the Elder - A legendary horse-breeder and advisor who helped negotiate early Awashalani terms with the Empire. Yelun of the River Ranch - Celebrated warrior and poet, remembered for her twin bow style and fierce loyalty to the plains. 7. Lore Snippets & Anecdotes “A fence is just a slow death.” - Awashalani proverb “She who knows the path of the sun will never lose her way home.” Children are taught to read the shadows of henge stones before they are taught numbers. Maiko's Note 00:00 / 00:50 They don’t build cities. They ride them. Every ranch is a moving poem—hooves, wind, and sun. I’ve always admired their way of living: not by borders or laws, but by the rhythm of grass and sky. The Awashalani were never conquered. They just made a deal, rode in from the sunrise, and charmed the Empire into leaving them be. That’s the thing about them—you can’t pin them down, but they’re not lawless either. They’re grounded in ways that don’t need fences. And if you walk the henge at dawn and feel the light touch your skin, you’ll understand something wordless that only the plains can teach. They live in rhythm with the world. Not behind it. Back to Codex Outtakes Open Glossary Edit

Explore the lore of Ronava in the Madun Archive: detailed worldbuilding, cultural depth, and history from the world of Madun. Maiko's Note 00:00 / 00:44 You can tell a lot about a tribe by how they drink. The Endulani sip misted ronava in the moonlight and speak to the dead. The Awashalani brew like artists and toast like poets. The Empire dilutes it, taxes it, and sells it in square bottles labeled "State Approved Ferment No. 6." But the Pashevalani? They drink like the sea is watching. The Hanjelani tried to regulate sulborol once. The Pashevalani responded by adding powdered stardust and renaming it ‘Comet Piss.’ The Empire backed off. Sensibly. The Carrier of Breath Shindjal: Ronava, Sulborol Faction: Nodilani "Pu pasheval a sulborol P!" - With the tide and soulstrength (ale)! 1. Overview Ronava is the general term for beer in Drabàshabal , meaning “carrier of breath.” It refers to a wide range of fermented grain drinks brewed across Madun, used for both daily sustenance and ceremonial moments. While nearly all tribes produce some form of ronava, its ritual significance and intensity vary widely between cultures. Among the Pashevalani , the drink takes on a sacred role and is elevated to a distinct form known as sulborol - “soul-strength.” Facebook X (Twitter) WhatsApp LinkedIn Pinterest Link kopieren 2. Origins & Background The word ronava likely stems from the observation made aboard the Theseus , where children noted that beer “makes your breath smell.” The word stuck - rona (breath) + va (to carry). Though humorous in origin, the name became part of formal vocabulary. Most tribes brew their own regional forms of ronava, but it is the Pashevalani who ritualized the drink into a symbol of courage and freedom through their version: sulborol . 3. Brewing & Varieties Ronava can vary by region in: Ingredients (water, grains, herbs, sugar sources) Strength and flavor Purpose (daily drink vs. sacred rite) Examples: Endulani ronava is often infused with mistleaf or dream-herbs, used in rituals of vision or mourning. Kosuklani varieties are rare and sun-fermented, often dry and sharp. Imperial ronava is mass-produced and taxed, considered bland by most tribes. Pashevalani sulborol is brewed from cliff grains, aged at sea, and consumed at feasts, toasts, and blood-oaths. Awashalani ronava is considered the finest in flavor and richness , brewed from premium plains grain and likely descended directly from Earth’s original brewing traditions brought by the Theseus ’s brewers. 4. Sulborol: Soul-Strength of the Pashevalani The Pashevalani do not merely drink - they consecrate . Sulborol is their elevated form of ronava, brewed stronger, darker, and often spiced or smoked. It is reserved for: Toasts before raids Naming of new ships Honoring the dead Rites of acceptance into a crew Drinking sulborol is considered a test of will . To refuse a toast is to question one's courage. 5. Language & Sayings Ronava = carrier of breath Sulborol = soul-strength - Pashevalani sacred beer “Pu pasheval a sulborol P!” - “With the tide - to soul-strength!” “He cannot hold his sulborol.” - An insult implying cowardice or weakness “Ronava is for the body. Sulborol is for the soul.” - Pashevalani proverb 6. Notable Mentions Some Endulani Shint’twalani use ronava in death rituals to “release the last breath.” Pashevalani taverns on Drabàshendol are known to mix mystery ingredients into sulborol for extra potency - or chaos. An old Kosuklani saying: “The sun burns hot, but sulborol burns louder.” "Pu pasheval a sulborol P!" - With the tide and soulstrength (ale)! Maiko's Note 00:00 / 00:44 You can tell a lot about a tribe by how they drink. The Endulani sip misted ronava in the moonlight and speak to the dead. The Awashalani brew like artists and toast like poets. The Empire dilutes it, taxes it, and sells it in square bottles labeled "State Approved Ferment No. 6." But the Pashevalani? They drink like the sea is watching. The Hanjelani tried to regulate sulborol once. The Pashevalani responded by adding powdered stardust and renaming it ‘Comet Piss.’ The Empire backed off. Sensibly. Back to Codex Outtakes Open Glossary Edit

Explore all Drabàshabal words beginning with the letter E. Part of the Madun Archive conlang dictionary. DRABÀSHABAL DICTIONARY This living lexicon records the growing tongue of the Nodilani. Words are listed alphabetically by their root letter. Select a letter down below to explore. A B C D E F G H I J K L M N O P Q R S T U V W Y < Back E Drabàshabal → English ela (part.) – no elaj (part.) – not elajsha (pron./quant.) – none (elaj + sha = not one) elajshasul (n.) – darkness (elajsha + inshasul = absence of star spirit / no light) elajshasul (n.) – seventh month (elajsha + inshasul = absence of star spirit / no light) elun (adj./adv.) – eternal, always, forever emala (n.) – love (noun form, poetic register) emalan (n.) – loved one (emala + làn = person of love) emla (v.) – to love, to fall in love endo (v.) – to hide (short root, appears in endol) endol (n.) – hideout (from endo = to hide) endor (adj.) – hidden (from endo, irregular adjectival form) endorshin (n.) – scout (endor + shin = one who sees the hidden) endrek (prop. n.) – name (from endun + rekal = mist raven) endudjan (n.) – misty land (endun + djan) endujel (prop. n.) – name (endun + je = mist walker) endulan (n.) – Endulani person (endun + lan = mist-person) endun (n.) – mist, fog endunedul (n.) – Endunedul (endun + nedul = mist heart) endunsul (n.) – sixth month (endun + sul = mist life) endura (n.) – Endura / Endurana (endun + rana = mist breath) enduvijara (n.) – Enduvijara (endun + vijara = mist moving, moving with the mist) èras (prop. n.) – Earth (archaic name for the homeworld) èraslan (n.) – person from Earth (èras + lan = Earth-person) Previous BACK TO LANGUAGE Next English → Drabàshabal eat → mòna eating time / noon → mònaran earth (planet) → èras Earth-person → èraslan east → daninsha brakaran embrace / hug → duma (verb), dumal (noun) enemy / villain → rakulan eternal / forever → elun evening → nodibaran everybody / everything → gabao , gabai evil → raku , rakul (noun) eye / sight → shinal Previous BACK TO LANGUAGE Next Language & Script Language Guide Codex

Explore the many faiths of Madun—sun cults, spiritual visions, and the goddesses who shaped the stars. Maiko's Note 00:00 / 01:02 You won't find temples built in their name. Not because the Nodilani lacked faith — but because faith, to them, was sight . The gods weren’t figures to be begged or praised. They were the rules of the universe made visible: fire rising, stars returning, breath taken and given back. Mama Gadun is the frame. Daninsha is the lens. Sulmalàn is the voice behind your eyes. When Keith first read the phrase "Shin tei ka Mamilani" carved into the mountain stones, he whispered it aloud — slowly, carefully, like brushing dust from memory. He didn’t ask what it meant. He simply stood there for a long time. I believe he understood. And maybe you do, too. The Godesses of Madun Shndjal: Tei Ka Mamilani Faction: Nodilani "Three lights, three paths - yet all return to the stars." — Ancient Endulani proverb 1. Overview In Drabàshabal , the divine triad of Madun is known as Tei Ka Mamilani , literally “the three mothers.” Each goddess represents a fundamental aspect of existence, and while different cultures emphasize different goddesses, together they form a cosmic whole - a balance of light, spirit, and matter. Facebook X (Twitter) WhatsApp LinkedIn Pinterest Link kopieren 2. Origins Tei = the (plural) Ka = three Mamilani = mothers (from mama + plural suffix -lani ) They are invoked in full only on rare occasions - at births, deaths, and celestial events. The phrase “Shin tei ka Mamilani” ("to see the Three Mothers") is a poetic way to describe death, vision quests, or moments of cosmic clarity. 3. The Triad Religion among the Nodilani is not about worship in the sense of pleading to beings beyond. It is about reverence - a way of recognizing the divinity within nature, time, and the great forces that bind the universe . The Three Mothers - Tei Ka Mamilani - are not separate from the world. They are the world. The sun is not a goddess above the sky. She is the sky - a radiant presence the people call Daninsha , "our star." The universe is not a sentient will. It is the vast, ancient expanse - Mama Gadun - the Great Mother who contains all things. Only Sulmalàn , the third of the triad, approaches something more personal. She is the spirit, the dream, the mist - and she sometimes appears . Mama Gadun : Universe, Creation, Law, Matter; favoured by the Empire (Hanjelani) as “Holy Mother of All” Daninsha : Star, Light, Life, Time, Seasons; favoured by the Awashalani and the Kosuklani, called “Our Star” Sulmalàn : Spirit, Death, Vision, Transformation; favoured by the Endulani as the “Mist Mother” 4. The Seen Goddess While Daninsha and Mama Gadun are revered as forces known , Sulmalàn is the goddess felt . She is encountered in ritual, in vision, in trance. Those who consume the sacred Sulanum mushroom often report contact with her: A voice in the mist. A luminous figure in the soul. A presence that bends space and time with wordless wisdom. Among the Endulani and some of the Pashevalani , Sulmalàn is experienced, not merely imagined. But to others - especially the Hanjelani - she is far less defined. They may still depict her among the triad, yet they do not trust the visions or believe them to be real. She is seen by them as symbolic, perhaps even dangerous. 5. Mama Gadun - The Cosmic Godmother To the Hanjelani, Mama Gadun is the first cause , the great designer of all form, structure, and order. She is the universe itself - the grid that holds the stars, the law that shapes matter. Worshipped not through ritual, but through legacy: every temple, every carved record, is a tribute to her. She is often depicted as a vast presence without form, the sacred void from which all emerged. 6. Daninsha - The Motherstar Daninsha is the radiant goddess of the star itself, central to farming cycles, celestial alignment, and the keeping of time. She is a mother, a clock, a guiding fire. The Awashalani build stone henges to track her solstices, while the Kosuklani revere her in every oasis where life returns. To the Kosuklani, Daninsha is not only the giver of warmth but also a sacred embodiment of truth and vulnerability. They speak of her as Daninsha deran - “the naked sun” — a title invoked in surprise, awe, or deep reverence. It reflects the belief that the goddess, in her most honest and uncovered form, offers both life and judgment. In ritual and language alike, Daninsha deran celebrates not shame, but the sacredness of the revealed. Her bare light touches even the most hidden corners of the soul. Through this lens, Daninsha is seen not just as light, but as continuity - the beam that connects the past to the future, and the body that gave birth to time itself. 7. Sulmalàn - The Soulmother The veiled goddess, Sulmalàn is the keeper of visions, dreams, death, and rebirth. To meet her is to cross into mystery. The Endulani invoke her during burial rites beneath the Shulunbao trees , and speak of her appearing in mist - often just before a Sulejel walks. She is not feared, but approached with caution and reverence. Those who meet her in Sulanum visions are changed forever. Maiko's Note 00:00 / 01:02 You won't find temples built in their name. Not because the Nodilani lacked faith — but because faith, to them, was sight . The gods weren’t figures to be begged or praised. They were the rules of the universe made visible: fire rising, stars returning, breath taken and given back. Mama Gadun is the frame. Daninsha is the lens. Sulmalàn is the voice behind your eyes. When Keith first read the phrase "Shin tei ka Mamilani" carved into the mountain stones, he whispered it aloud — slowly, carefully, like brushing dust from memory. He didn’t ask what it meant. He simply stood there for a long time. I believe he understood. And maybe you do, too. Back to Codex Outtakes Open Glossary Edit

Explore the lore of Endura in the Madun Archive: detailed worldbuilding, cultural depth, and history from the world of Madun. Maiko's Note 00:00 / 00:52 She is not known for great speeches or heroic acts. But everyone in Endunedul knows her name. The children run to her for stories, the elders find comfort in her songs. She listens more than she speaks, and when she speaks, it feels like the forest itself has chosen to answer. To Keith, she is the first true quiet after a life of noise. She doesn't try to fix him, but she sees him. Not as the outsider. Not as the man from the stars. Just as the man with calloused hands and a heart still capable of warmth. Some say, the goddess whispers to her. Maybe that's why her presence feels like sunlight through morning mist. The Good Soul of Endunedul Shindjal: Endura Faction: Endulani "Some trees do not tower, but they still shelter the wounded. Her voice was not loud, but it reached him when no one else could." 1. Overview She lives a little outside the main Raven settlement , at the forest’s edge where the mist thins and the trees begin to open into light. Her house is modest but well-kept - woven bark, riverstone, and overgrown. There’s a small garden, tools laid out neatly, and her dog, Aradel, that always barks once, then wags its tail. Her name comes from endun ranal (mist breath) in Drabàshabal , the sacred breath of the forest. Facebook X (Twitter) WhatsApp LinkedIn Pinterest Link kopieren 2. Appearance Endura is a young Endulani woman in her mid-twenties. She has long, wavy hair of reddish-brown hue and calm, earth-toned eyes. Her clothing reflects the humble beauty of Endulani life - simple woven dresses in natural tones, their seams embroidered with colorful patterns. Around her wrist she wears a red cloth, carefully wrapped and marked with words whispered to her by Sulmalàn during a vision. She never speaks them aloud. 3. Home & Surroundings Endura lives in a modest wooden house just outside the main settlement of the Ravens, near the trees where the forest thins into fields of morning mist. The house is partly overgrown with vines and flowering moss, its walls decorated with hanging crafts - woven symbols, carved branches, clay sun-discs. It is the kind of home that smells of woodsmoke, herbs, and rain-soaked leaves. Children often run past on the path, laughing. Dogs sleep beneath the porch. And from the window, Endura can see the distant canopy breathing, slow and ancient. She says it helps her listen. 4. Role and Skills Endura is not a warrior or a scholar. She is a craftswoman. Her hands know wood and clay, weaving and carving, fire and ash. She crafts bowls and baskets, sings while shaping pots, and mends more than just things - she mends moments. Her songs are known by the children, her woven talismans tied to doorways, her voice familiar to the dawn. She has no rank, no title, but she is quietly loved by her community. 5. Shared Grief Long before Keith ’s arrival, Endura bore her own loss. Her brother vanished during an early raid by the Empire - taken or killed, no one could say. For years, she held onto silence, then song, then craft. Loss didn’t harden her; it made her eyes softer. She understood what it meant to have no answers, no justice—only the ache and the waiting. It is this grief, hidden behind her gentle smile, that allows her to see through Keith’s silence without questioning it. She never asks him to explain. She simply stays. 6. Connection to Keith When Keith leaves the Bvaborul and chooses to live among the Endulani, it is Endura he first meets - by chance, in the forest mist. She offers no reverence to his past or his stories. She sees a man with calloused hands and silent grief. And she welcomes him as someone who needs to build something again - outside of metal. Over time, Endura becomes Keith’s anchor to the soil of Madun . Not because she tries to heal him, but because she never treats him like something broken. She teaches him how to breathe again - not through great lessons, but in small, repeated things. 7. Cultural Significance : To the Endulani, Endura embodies something sacred yet unspoken: the spirit of endurance through simplicity. She is no elder, but many say she carries the soul of one. And the children whisper that when she sings, even the Fleshtrees listen. Maiko's Note 00:00 / 00:52 She is not known for great speeches or heroic acts. But everyone in Endunedul knows her name. The children run to her for stories, the elders find comfort in her songs. She listens more than she speaks, and when she speaks, it feels like the forest itself has chosen to answer. To Keith, she is the first true quiet after a life of noise. She doesn't try to fix him, but she sees him. Not as the outsider. Not as the man from the stars. Just as the man with calloused hands and a heart still capable of warmth. Some say, the goddess whispers to her. Maybe that's why her presence feels like sunlight through morning mist. Back to Codex Outtakes Open Glossary Edit