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Begin learning Drabàshabal — the native language of Madun. This guide introduces pronunciation, grammar, sentence structure, and more. Language Guide Learn to speak the native tongue of the people of Madun, how it sounds, how it is written, the grammar, and basic phrases. LESSONS Learn your first phrases in Drabàshabal Common Phrases Read more How words are formed Derivation & Word Formation Read more How to name things in Drabàshabal Nouns & Plurals Read more The Sounds of the Nodilani Tongue Phonology & Alphabet Read more How the Nodilani address each other Pronouns Read more The backbone of the Nodilani tongue Verbs & Conjugation Read more How phrases are formed in Drabàshabal Word Order & Syntax Read more The Script of Madun Starlight Runes Read more Codex Language & Script Open Glossary

Explore all Drabàshabal words beginning with the letter A. Part of the Madun Archive conlang dictionary. DRABÀSHABAL DICTIONARY This living lexicon records the growing tongue of the Nodilani. Words are listed alphabetically by their root letter. Select a letter down below to explore. A B D E F G H I J K L M N O P R S T U V W < Back A a (conj.) – and aba (v.) – to speak abaha (v.) – to ask abal (n.) – language abaledjal (n.) – script, record (from aba + ledjal) ajiwa (adj.) – again, anew (a + jiwa = and new) ara (adj.) – loose, movable, agile aradel (n.) – Aradel (ara + fendel = wagging tail) aradra (v.) – to open aradrag (adj.) – opened (past participle of aradra) asu (prep.) – down, below asukul (prop. n.) – name (from asu + ùmbvakul = below the mountain) asumpal (n.) – lower deck, bottom floor (asu + ùmpal) asuval (v.) – to lie down (from asu + val) awash (n.) – wind awashadun (n.) – sky (from awash + dun = wind-world) awashalàn (n.) – member of the plains people (awashar + làn) awashar (n.) – horse awashara (adj.) – fast, swift Previous BACK TO LANGUAGE Next Language & Script Language Guide Codex

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Discover the Starlight Runes of Madun—an ancient star-based writing system used for language, memory, and navigation in the Daninsha system. < Back Starlight Runes The Script of Madun 1. Overview The Starlight Runes are the primary writing system of Drabàshabal , the sacred tongue of Madun . More than a script, they are celestial maps - each symbol a whisper of the stars, a bridge between language and navigation, memory and motion. Born from the playful code of ship-born children aboard the Theseus, and later refined by scholars of the Shint’twalani, the script grew from secret to sacred - its curves, lines, and points tracing the constellations that orbit Daninsha, the mother-star. 2. Origin and Evolution Genesis aboard Theseus : The first runes emerged as constellation-ciphers, invented by the children of the generational ship Theseus as a form of private language. It was playful, intuitive, and rooted in shapes and stars. These symbols mimicked real star formations seen from the ship’s observation dome. After the Landing: Once settled on Madun, scholars of the tribes, especially the Endulani , formalized the system—tying it directly to the celestial grid of Madun's nightsky used for spiritual navigation. Each rune came to represent not only sound but also location, binding language and cosmic orientation into one.3. Structure of the Script 3. Structure of the Script Base Consonants: There are 22 consonant bases (+ 2 functional markers): Each consonant has a core pattern based on a unique star-like formation (dot positions). These patterns are derived from two symbolic rings of star constellation around the Daninsha system: A horizontal ring for soft consonants. A vertical ring for hard consonants. Vowel Positions: Each consonant can take six vowel forms: wa, we, wi, wo, wu, and w (bare consonant). The vowel is marked by a dot placed at one of five standard positions around the rune (based on a pentangular orientation, as in a clock face). 4. Symbolic Function Each rune does more than represent sound. It is also a coordinate, especially in sacred or scholarly contexts. Constellation Logic: The ring-based placement of stars within a rune mirrors the real star belts that encircle Madun. There are two orbital planes, intersecting at 90° - one for each ring. A third coordinate, the radial depth, is added as a numeral, indicating distance from the spherical celestial shell. Thus, a rune like wa te 7 might represent a syllable and a physical position in space. The Starfinder Rune or Jiwashinshal (H!): Used to indicate questions, exploration, or unknowns. Its structure evokes a search across the firmament. The Fixed Star Rune or Ùminsha (P!): Used to indicate commands or spiritual imperatives. The symbol resembles a central, unmoving point - a cosmic axis or unyielding truth. 5. Stylistic Traits: All lines are clean and uniform in weight. Some junctions of lines as well as some ends have a dot for bright stars within the constellation Lines that don't end in dots end in tapered peaks, consistent across all runes. Runes are usually drawn in the bluish white produced from the flourescent leaves of the Starspine Fern encarved in dark stone, parchment, or sky backgrounds - like stars emerging from night. 6. Modern Use & Preservation Though ancient, the Starlight Runes are not relics. They continue to serve as a living system - etched, drawn, and remembered . Temple of the Endulani preserves history in rune-etched stone, replacing lost digital records. The Shint’twalani teach the script as part of sacred education, one rune at a time. In the spacefaring future , descendants of Madun may use Starlight Runes again - this time etched onto spacecraft, calculating real-time positions within the Daninsha system. “To write is to map the stars” (ledja wa shinja tei inshai ) 7. Starlight Numerals The numeral system of the Starlight Runes is based on a decimal (base-10) structure and reflects the script’s celestial origins. Digits 1 through 9 are formed from distinct dot constellations , each resembling a star pattern. Zero is symbolized by an empty point - a dark void, the unseen. Numbers 10 and beyond are written using linked constellations : multiple digit-forms connected by light-trails, forming sacred geometries. Though elegant, their ceremonial form is not suited for arithmetic - speed and clarity are sacrificed in favor of symbolic harmony . Previous Next Codex Back to Language Open Glossary

Explore all Drabàshabal words beginning with the letter D. Part of the Madun Archive conlang dictionary. DRABÀSHABAL DICTIONARY This living lexicon records the growing tongue of the Nodilani. Words are listed alphabetically by their root letter. Select a letter down below to explore. A B D E F G H I J K L M N O P R S T U V W < Back D da (pron.) – you (singular) daninsha (prop. n.) – the star of the system (from dano + insha = our star) daninsha brakaran (n.) – East (= sun wake) daninsha jul (n.) – West (= sun sleep) daninsha deran (excl.) – “By the naked sun!” dano (pron.) – our danosul (n.) – freedom (dano + sul = our spirit) danosul (n.) – fourth month (dano + sul = our spirit) danosulel (n.) – liberation, release, deliverance date (pron.) – you (dual) dava (v.) – to wish, to desire daval (n.) – wish, desire deran (adj.) – bare, stripped, uncovered deran shulun (adj.) – nude, naked dja (num.) – two djan (n.) – land, place djàng (num.) – twenty djawa (n.) – second djawaboran (n.) – afternoon (djawa + boran = second part of day) djuna (v.) – to take, to carry drabash (n.) – bandit, outlaw, pirate drabàshabal (n.) – the bandit tongue (drabash + abal = outlaw language) drabàshendol (n.) – bandit hideout (drabash + endol) duma (v.) – to hug, to embrace dumal (n.) – hug, embrace dun (n.) – world dundjun (n.) – spaceship (dun + djun = world-bringer or vessel to world) dura (v.) – to hit, to strike durak (n.) – a hit, a strike Previous BACK TO LANGUAGE Next Language & Script Language Guide Codex

Explore all Drabàshabal words beginning with the letter L. Part of the Madun Archive conlang dictionary. DRABÀSHABAL DICTIONARY This living lexicon records the growing tongue of the Nodilani. Words are listed alphabetically by their root letter. Select a letter down below to explore. A B D E F G H I J K L M N O P R S T U V W < Back L lan (n.) – person, human, creature, being lanin (v.) – to glitter, to sparkle, to twinkle ledja (v.) – to write lei (n.) – manner, way of (often used to form adverbs or abstract nouns) liju (v.) – to dream lijul (n.) – dream (noun form of liju) luba (v.) – to listen to Previous BACK TO LANGUAGE Next Language & Script Language Guide Codex

Discover how words are formed in Drabàshabal — explore roots, compounds, and affixes in Madun’s evolving constructed language. < Back Derivation & Word Formation How words are formed 1. Root Structure How do the words of Drabàshabal evolve from root sounds, slang, and compound meaning? Most words are built from compact, 1–2 syllable roots. Many go back to Theseus-era child slang, later refined by scholars. Examples of Roots sul = life / soul / spirit ran = time lan = person / being jul = sleep wa = to be pash = water boro = strong / safe shin = to see awash = wind 2. Compounding Words Two or more roots often merge to describe complex ideas. The resulting word can be literal or abstract. boro + jul = borojul - safe + sleep = house endun + lan = endulan - mist + person = Endulan Shin te wa lan = Shint'walan = Person who sees what is = scholar, lorekeeper wa + boro = wabor - to be + strong = brother braka + ran = brakaran - to wake + time = morning sul + borol = sulborol - soul + strenght = ale 3. Affix-Like Patterns (Quasi-Affixes) While Drabàshabal avoids rigid prefixes/suffixes, some elements commonly appear in certain positions or functions: -an: plural verb suffix - noda ponan = we stand -i: plural noun suffix - endulani = Endulans -vil: noun-forming suffix = maker - krovil = stonemaker -lan: noun-forming suffix = person 4. Cultural Naming Conventions Names often are related to animals, places, or cultural aspects. Endrek = endun rekal - mist raven (hooded crow) Endujel = endun jel - mistwalker Fèran Ùmbvakul = old mountain Awashalani = awashara + lani - horse people Kosuklani = kosuk + lani - sand people Hanjelani - decendants 5. Word Formation Templates You can derive new words with confidence using these patterns: [noun1] + [noun2] → compound noun e.g. sul + borol = sulborol (soul strength) [root verb] + [object noun] → descriptive action e.g. aba + abal = speak language [descriptor] + [noun] → modified noun e.g. fèran + borojul = old house [noun, verb] + lan → person e.g. vijlan = to make + person 6. Word Formation Templates You can derive new words with confidence using these patterns: [noun1] + [noun2] → compound noun e.g. sul + borol = sulborol (soul strength) [root verb] + [object noun] → descriptive action e.g. aba + abal = speak language [descriptor] + [noun] → modified noun e.g. fèran + borojul = old house [noun] + ’twal → role or identity e.g. shint’twal = one who knows Previous Next Codex Back to Language Open Glossary

Learn how to use personal and possessive pronouns in Drabàshabal, including singular, plural, and inclusive forms unique to Madun’s language. Maiko's Note 00:00 / 01:04 Ich bin ein Textabschnitt. Klicke hier, um deinen eigenen Text hinzuzufügen und mich zu bearbeiten. How the Nodilani address each other - Faction: - "In the whisper of 'I', we carry the echo of 'we'. To name oneself is to remember all." — Old Endulani teaching Drabàshabal uses a small, elegant set of pronouns that reflect the language’s focus on community, clarity, and memory. Most pronouns are short and fluid, making them easy to use in both spoken and poetic forms. Facebook X (Twitter) WhatsApp LinkedIn Pinterest Link kopieren Personal Pronouns Gender distinction is not made in pronouns; context provides meaning. Plural forms are often created with the suffix -i. I: no you (singular): da he, she, it: te we: noda (we both), nodai (we all) you (plural): datei (you all) they: tei Possessive Pronouns Possession is formed with a modified root: mine: non your (singular): dan his, hers, its: ten our: dano, danoi your (plural): daten, datein theirs: tein Examples: non borojul - my house tein taralani - their warriors danoi insha - our star Demonstratives & Interrogatives Drabàshabal uses 5 primary vowels, each with a stable, clear pronunciation: this / that: te (also used as definite article) where: udjan from: ute djan (“what place”) how much / how many: ushalel these / those: tei there: tedjan ("that place") how: ulei (also means “like / as”) what / who / which: ute when: uran, from ute ran ("what time") if / whether: vog why / what for / to: vynute Articles Drabàshabal often omits articles unless clarity is needed. When used: te = the (singular) tei = the (plural) Maiko's Note 00:00 / 01:04 Ich bin ein Textabschnitt. Klicke hier, um deinen eigenen Text hinzuzufügen und mich zu bearbeiten. Back to Codex Outtakes Open Glossary Edit

The Kosuhedjun is the steadfast beast of burden for the Kosuklani, vital to long treks across the desert sands. Maiko's Note 00:00 / 00:54 You think ships only sail on water? Try watching a Kosuklani patrol descend a dune at sunset — it’s like the desert itself grew legs and decided to move. The Empire once tried to raise Kosuhedjun in pens. That... didn’t go well. Turns out, if you try to tame something born of sun and sand and spirit, it either dies — or sings you to death. There’s a kind of elegance in how the Kosuklani bond with them. No reins. No circuits. Just breath and trust. The wind listens. The beast obeys. And the desert watches. And yes, Keith tried to scan one once. The scan failed. The Kosuhedjun didn’t. The Desert Vessel Shindjal: Kosuhedjun Faction: Kosuklani "Even the wind yields to the tread of the Kosuhedjun." — Kosuklani rider proverb 1. Overview The Kosuhedjun are massive, scaled desert beasts bred and bonded by the Kosuklani for long-range travel across the brutal sands of Kosudjan . With clawed feet adapted for dune terrain and thick hides resistant to heat and sandstorm, they are among the most reliable mounts on Madun . Sacred in some circles and feared in others, they are the backbone of nomadic life in the southern deserts. Facebook X (Twitter) WhatsApp LinkedIn Pinterest Link kopieren 2. Origins & Background The first Kosuhedjun are said to have emerged from a time when the sand sea was young and the sun closer. Myth holds they were born from the footprints of Daninsha herself, who walked the desert as a flame, seeding life with each step. Scholars, however, believe the creatures descend from deep-desert reptiles whose survival traits were refined over generations through Kosuklani breeding and ritualized bonding. 3. Cultural / Environmental Context The Kosuhedjun’s massive, muscular frame is covered in textured scales that trap moisture and deflect sun. Their nostrils can seal entirely , and a second pair of heat-exchange spiracles behind the skull help them endure oppressive midday heat. They are surprisingly agile despite their size, capable of navigating rocky ridges and sand valleys with equal grace. In the wild, they are fiercely territorial and will trample intruders. When tamed, however, they respond only to their bonded rider - often paired at birth. Their breath in cold desert mornings is seen as a holy sign called "The Mist of Daninsha." They are fed carefully balanced meals of salted grains and bitterbrush during training, and some are even adorned with jewelry or sacred cloths during high ceremonies. 4. Role in the World To the Kosuklani , the Kosuhedjun are not just transport - they are companions, protectors, and spiritual partners. Used in long-distance patrols between oases, sacred site pilgrimages, and high-visibility parades through contested desert trails, they are a symbol of Kosuklani independence. Kosuhedjun also play a vital role in cross-continental trade caravans , hauling precious salt, desert spices, water caches, and luxury goods through the harsh heart of Kosudjan toward northern and eastern provinces. Their endurance and sure-footedness make them essential for connecting far-flung tribal economies, often enabling exchange between the Empire and the free peoples - even in times of tense diplomacy. The Empire has repeatedly tried to breed them, but failed - the beasts often die or go feral without bonding, leading to several recorded massacres of imperial riders. This has only enhanced their mystique. 5. Language & Terminology The word Kosuhedjun comes directly from Drabàshabal, meaning “desert vessel” or “desert cart.” Kosuk = sand, desert hedjun = vessel, container, or cart This compound reflects not only their purpose but the poetic way the Kosuklani view these beasts - as ships gliding across an endless sea of sand. Riders refer to themselves as helmsmen rather than mere travelers, and guiding a Kosuhedjun is considered an art, not a task. 6. Notable Locations / Figures The Burning Saddle Ridge : A canyon pass where only Kosuhedjun can safely descend, used by raiding patrols Rider Uvajan the Silent : Legendary Kosuklani hunter who rode his beast into enemy lines during the Sand Reclamation The Bone Cradle : An old breeding ground turned memorial for fallen Kosuhedjun and riders 7. Lore Snippets or Anecdotes "The Empire tried to put one in a cage. It sang until it starved." - Desert whisper "They are not beasts. They are our shadow when the sun is strongest." - Elder rider, Kosuk campfire tale Maiko's Note 00:00 / 00:54 You think ships only sail on water? Try watching a Kosuklani patrol descend a dune at sunset — it’s like the desert itself grew legs and decided to move. The Empire once tried to raise Kosuhedjun in pens. That... didn’t go well. Turns out, if you try to tame something born of sun and sand and spirit, it either dies — or sings you to death. There’s a kind of elegance in how the Kosuklani bond with them. No reins. No circuits. Just breath and trust. The wind listens. The beast obeys. And the desert watches. And yes, Keith tried to scan one once. The scan failed. The Kosuhedjun didn’t. Back to Codex Outtakes Open Glossary Edit

Explore the phonology of Drabàshabal — the sounds, consonants, vowels, and starlight-based script of Madun’s native language. < Back Phonology & Alphabet The Sounds of the Nodilani Tongue Alphabet Overview Drabàshabal uses a phonetic system rooted in the spoken sounds of the early Nodilani - descendants of the Theseus crew. The language was born from whispered slang between children aboard the generational ship and refined over centuries into a structured and sacred tongue. It is written using a unique system of Starlight Runes, but represented here with a Latin-alphabet-based transcription for learners. Consonants Drabàshabal has 22 consonants. Some may sound familiar, others not: Plosive : p, b, t, d, k, g Nasal : m, n, ng Fricative : f, v, s, sh, h, j Affricate : ts, tsh, dj Approximant : w, bv, r Lateral : l Special Notes: bv is a voiced bilabial fricative, softer than English “b” dj as in “djungle” j as the s in "measure" tsh like “ch” in “church” sh like “sh” in “ship” ng is a standalone sound as in “song,” not “n” + “g” Vowels Drabàshabal uses 5 primary vowels, each with a stable, clear pronunciation: a : long as in "father" or short as in Italian "pasta" e : long as in German "geben" or short as in "bed" i : long as in "machine" or short as in "in" o : long as in "note" or short as in "thought" u : long as in "flute" or short as in "pull" Most of the time vowels are pronounced clearly, without diphthongs. But there are occasional exceptions like "ao" or "ou". Syllable Structure The typical syllable structure is: (C)V(C) - a consonant followed by a vowel, optionally ending with another consonant. Examples : po = to stand shin = to see sul = soul, life, spirit Previous Next Codex Back to Language Open Glossary

Discover the Enduvijara, a sacred prey animal of the Endulani tribes on Madun. This mist-dwelling creature moves in silence, exhales vapor, and plays a central role in forest ecology, hunting rites, and spiritual rituals. Maiko's Note 00:00 / 00:42 The first time Keith spotted an Enduvijara, he thought it was a hallucination. I don’t blame him. The creature didn’t run - it melted backward into the mist like memory escaping thought. He never hit one on his first attempt. Few do. I once tracked three through the mist for half a klick. Then they were gone. No sound. No broken branches. Just a feeling in the air that something had left. Hunters don’t chase the Enduvijara. They listen for the places it’s no longer there. Moving with the Mist Shindjal: Enduvijara Faction: Mama Gadun “Enduvijarai jen ulei te endun vu baodjan.” “The Enduvijara walk like the mist in the forest.” — Endrek , apprentice of the Shint’twalàni 1. Overview The Enduvijara is a mist-woven herbivore native to the ancient forests of Endudjan and parts of Muruldjan . Revered by the Endulani for its silent grace and elusive presence, it is considered sacred prey - never taken lightly, always thanked. The creature’s form is elegant, its movements ethereal, and its role in the ecosystem vital. For the Endulani, to hunt the Enduvijara is to walk the breath of Madun itself. Facebook X (Twitter) WhatsApp LinkedIn Pinterest Link kopieren 2. Origins & Background The Enduvijara evolved as part of the mist-rich environments of Madun’s northern forests, perfectly adapted to glide through undergrowth and vanish in vapor. In the southern region of Muruldjan , the Enduvijara lives in symbiosis with the land , feeding on parasitic organisms that attack the core flora. These areas form interconnected root-ecologies , and the Enduvijara acts as a vital balancing force - cleansing what the trees themselves cannot reject. 3. Appearance Size: Comparable to a small elk, but lighter in frame Skin: Smooth, bark-like, streaked in shifting hues of moss green, fog-grey, and soft brown. Colors subtly change with the light and angle of mist Head: A pale, triangular bone faceplate with six obsidian eyes in vertical rows. Beneath it drift fine, hair-like tendrils that sense air pressure and motion Limbs: Four long, digit-ended legs resembling root bundles, allowing utterly silent movement Tail: Ribboned, ending in shimmering filaments that respond to airflow and emotion Sexual Dimorphism: Males are taller and leaner, with sharper facial ridges and brighter tail filaments used for mating displays. A bluish iridescence appears along their spine during mating season. Females are smaller, with duller faceplates and denser hides , ideal for caretaking and camouflage while raising young. 4. Behavior Enduvijarai live in small matrilineal family groups , typically composed of several adult females and their offspring. Males live solitarily , wandering between groups and contributing to reproduction during brief seasonal encounters. Offspring mature slowly and remain close to their mothers for many cycles They never move in straight lines, always weaving through terrain in fluid, unpredictable patterns When one individual is alarmed, it emits a non-audible signal , likely infrasonic or bio-electrical, that alerts all Enduvijarai within range . Human hunters often fail to notice that they have spooked an entire region’s prey Grazes on fungal plumes, lichen, and tree-sap - especially from the Veltheran tree species In Muruldjan, prefers parasite colonies that threaten symbiotic forest roots 5. Ecology & Distribution The Enduvijara is found primarily in Endudjan , but also roams parts of Muruldjan , particularly in groves where flora form interconnected biosystems . In Endudjan, it fills the role of high-alert prey - silent, vigilant, and difficult to stalk In Muruldjan, it fulfills a more active ecological role , preventing parasitic overgrowth and supporting forest balance Its migration patterns are faint but cyclical, believed to follow changes in moisture, fungal bloom density, and predator behavior Its natural predator is the terrifying Muruhal , which ambushes its prey from above 6. Cultural Role The Enduvijara is hunted only with reverence , its flesh shared communally, its remains used in ritual. Coming of Age: A youth becomes a hunter when they silently stalk and fell an Enduvijara without being noticed Mist Glands are dried and used in ceremonies to invoke the memory of breath and the presence of Sulmalàn Tail Filaments are braided into mourning jewelry, believed to carry echoes of breath and memory Skins are sewn into forest cloaks or wrapping bundles for ritual tools Barandun Ritual – “To Feed is to Remember” During the sacred festival of Barandun , Endulani shamans wear Enduvijara skulls as ceremonial masks to honor both Madun and the Enduvijara itself. The skulls are left unadorned , worn with mist-wrapped robes At dawn, shamans emerge from the forest to recite the names of all Enduvijarai taken that year, offering gratitude to the forest This act binds the hunters, the hunted, and the world that feeds them into one cycle of respect 7. Myth & Symbolism The Enduvijara is not only an animal—it is a symbol of ephemeral wisdom and wordless knowing . Often called “the breath of the forest made flesh” Appears in many fables as a guide between worlds , especially in tales where mist is seen as the veil between life and memory The Shint’twalàni teach that those who dream of the Enduvijara should follow it—but never try to catch it Some Endulani elders believe that certain Enduvijarai are reincarnated souls of those who died with unfinished thoughts Maiko's Note 00:00 / 00:42 The first time Keith spotted an Enduvijara, he thought it was a hallucination. I don’t blame him. The creature didn’t run - it melted backward into the mist like memory escaping thought. He never hit one on his first attempt. Few do. I once tracked three through the mist for half a klick. Then they were gone. No sound. No broken branches. Just a feeling in the air that something had left. Hunters don’t chase the Enduvijara. They listen for the places it’s no longer there. Back to Codex Outtakes Open Glossary Edit