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Learn how nouns work in Drabàshabal — including singular and plural formation, article use, and number agreement in the language of Madun. Maiko's Note 00:00 / 01:04 Ich bin ein Textabschnitt. Klicke hier, um deinen eigenen Text hinzuzufügen und mich zu bearbeiten. How to name things in Drabàshabal - Faction: - “Every word is a root. From it, thoughts grow, memories sprout. Forget the word, and the root dies.” — Asukul, in the Hall of Mist Drabàshabal nouns are direct and uninflected, but plurality is expressed through a combination of articles and pluralized forms, especially in verbs and pronouns. The system is consistent and reflects the language’s elegant logic. Facebook X (Twitter) WhatsApp LinkedIn Pinterest Link kopieren Singular Nouns Most nouns appear in singular by default. Examples: taralàn = warrior borojul = house nashun = flower umbvakul = mountain Use the singular article te for clarity or emphasis. It is optional but helpful in complex or poetic phrasing. Examples: te taralàn = the warrior te borojul = the house Plural Nouns Pluralization in Drabàshabal is indicated by: The plural article: tei The plural form of the noun (usually adding -i or -ni) Plural verb forms, which are required and do not allow omission of plurality in grammar Common Plural Endings -i: added to most words whether ending in consonants or vowels: Examples: taralàn → taralani = warriors insha → inshai = stars Depending on context or poetic style, the i-ending may occasionally be omitted. Maiko's Note 00:00 / 01:04 Ich bin ein Textabschnitt. Klicke hier, um deinen eigenen Text hinzuzufügen und mich zu bearbeiten. Back to Codex Outtakes Open Glossary Edit

Soar with the Shadunar— pterosaur-like, winged sky beasts of the Kosuklani cliffs, born to wind and war. Maiko's Note 00:00 / 00:52 They call them sky beasts, but I’ve never seen anything closer to a prayer in motion. The Empire thinks them untamable. I think they simply refuse to be owned. One Kosuklani told me: “You do not ride the Shadunar. You accompany it.” That stuck with me. They fly without reins. Without fear. And when their chests glow with the breath of fire — just before a flame-tongue licks the air — even I stop running the odds. I just… watch. Just don’t light a torch near their chests unless you really know what you’re doing. Some gods don’t forgive clumsy hands. The Sky Beast Shindjal: Shadunar Faction: Kosuklani "When the sand gives way to sky, listen for the whisper of wings, and mind the breath you share." – Kosuklani Sky Prayer 1. Overview / Summary The Shadunar is a majestic and dangerous skybeast, revered by the Kosuklani of Madun ’s desert regions. Capable of gliding vast distances, it owes its flight to both its powerful wings and unique internal gas sacs that provide buoyancy. These intelligent, volatile creatures can only be ridden by bonded Windbinders - elite Kosuklani trained in breath-matching and neural alignment with their mounts. Facebook X (Twitter) WhatsApp LinkedIn Pinterest Link kopieren 2. Origins & Background Though little is known about their original evolutionary path, it is believed the Shadunar adapted to life along Madun’s arid cliffs and wind tunnels. Whether native or genetically altered descendants of Earth fauna remains debated by scholars. Tribal legend claims Daninsha herself breathed life into the first of them, gifting them to the Kosuklani as companions of the wind. The term Shadunar derives from awashadun walanar , meaning “sky beast” in Drabàshabal . The creature’s mythic status among desert people places it alongside the Ulmorith and Krovil as one of Madun’s elemental lords. 3. Cultural / Environmental Context Shadunar lair high in mountainous desert cliffs, launching into “wind rivers” - strong, consistent thermal currents. Without these currents and vertical elevation, they are unable to take flight. Their anatomy is uniquely suited to long-distance gliding: Two vast, membranous wings Clawed forelimbs used for gripping and ground movement Lightweight skeletal structure Internal gas sacs filled with a hydrogen-like compound, produced through electrolysis of consumed organic matter These sacs can be expanded or deflated at will, adjusting lift and balance dynamically based on air conditions and rider weight. Kosuklani Windbinders are trained from youth to attune themselves to their beast’s breathing rhythm. This breath-matching enables partial neural entrainment - a state of symbiosis that allows coordinated movement, even in battle. Shadunar are not bred , but chosen. Wild ones are sought and courted in dangerous trials by prospective riders. 4. Role in the World To the Kosuklani , the Shadunar is sacred - a living expression of the sky goddess Daninsha . Only Windbinders, spiritual warriors of the highest class, are permitted to bond with them. Their primary role is: Ritual patrols of desert territories Messenger runs across vast stretches of land Aerial strikes and ambushes in warfare, using elevation and stealth In battle, they are vulnerable: a burning arrow striking a gas sac can cause explosive collapse . However, in the open sky, their speed and silence make them feared. When charging into battle, elite Windbinders often carry flame-sticks — short torches designed to ignite the gas exhaled from a Shadunar’s chest sacs. A skilled rider can trigger a searing fire burst by timing their exhalation with a flame without causing the beast to explode mid-air. This tactic is used sparingly due to the danger it poses to both beast and rider. The Empire views them as savage beasts, yet they’ve failed to tame or breed them. No imperial soldier has ever ridden one. 5. Language & Terminology Shadunar = sky beast Awashadun = sky Walanar = beast/animal Windbinder = elite rider (Drabàshabal term: Shedanirun , lit. “wind joiner”) Breath-matching = ritual practice to sync rider and beast Wind rivers = invisible air corridors used for launch and travel 6. Notable Locations / Figures Cliffs of Teshkaral : Known launchpoint and lairing area for Shadunar. Site of many bonding rituals. Shedanir Malashi : Fabled Windbinder who once crossed the continent in a single moon without landing. The Burning Spiral : A failed bond attempt where both rider and Shadunar exploded mid-air from ignited sacs - still used as a cautionary tale in Windbinder training. 7. Lore Snippets or Anecdotes “We do not fly them. We listen. We breathe when they breathe. If they dive, we dive. If they stop, we fall. No reins. No force. Only trust.” – Shedanir Malashi , in training scrolls of the Kosuklani Sky Temple Maiko's Note 00:00 / 00:52 They call them sky beasts, but I’ve never seen anything closer to a prayer in motion. The Empire thinks them untamable. I think they simply refuse to be owned. One Kosuklani told me: “You do not ride the Shadunar. You accompany it.” That stuck with me. They fly without reins. Without fear. And when their chests glow with the breath of fire — just before a flame-tongue licks the air — even I stop running the odds. I just… watch. Just don’t light a torch near their chests unless you really know what you’re doing. Some gods don’t forgive clumsy hands. Back to Codex Outtakes Open Glossary Edit

Nashun Kelujeva is a rare flower of the Endulani—soft, mist-hued, and know to be anti-septic when put on wounds. Maiko's Note 00:00 / 00:50 The Nashun Kelujeva doesn’t shine on her own. And yet, in the right grove, beneath the right moon, she looks like she could outshine the stars. That’s her secret: she reflects. She bends the light of others—especially the luminous ferns beside her—and turns it into something new. A nebula in the undergrowth. A bloom of borrowed beauty. Keith once said I’m the same. That I glow brighter when he’s near. I told him that’s what makes it real. And then I added two dried Kelujeva petals to the Valkyrie’s emergency kit. Just in case. "Moon Growth" or Lunareth Bloom Shindjal: Nashun Kelujeva Faction: Mama Gadun "In the dark, the stars came down to bloom." — Endulani healing chant 1. Overview The Nashun Kelujeva is a reflective, star-like flower native to Madun . Though not bioluminescent, it shines in the night by refracting the glow of nearby flora - most notably the Vejalanin (Starspine Fern). It is admired for its surreal beauty and prized for its antiseptic qualities. Common across most of Shawadjan - except the storm-beaten Western Isles - the flower thrives in shaded forests, rocky cliffs, and even the crevices of the desert mountains. Facebook X (Twitter) WhatsApp LinkedIn Pinterest Link kopieren 2. Description The Nashun Kelujeva is a luminous wildflower native to Madun and cherished across Shawadjan for both its medicinal and symbolic beauty. Though resembling terrestrial blossoms, it is in fact a unique species with no known Earthly counterpart. The bloom features long, silver-blue petals that arc gracefully and shimmer in the dark - not by bioluminescence, but by reflecting and refracting light , often from the glowing Vejalanin fields it loves to inhabit. When these two plants share a grove, the visual effect is astonishing: the Vejalanin lay out glowing starfields across the forest floor, while the Kelujeva dances like colorful nebulae between them. This celestial display is most commonly witnessed in the damp woods of Endudjan , but Kelujeva are also known to bloom in the shaded crevices of the Kosuk Ùmbvakul , defying their harsh, stony surroundings. 3. Medicinal Use Despite its delicate appearance, the Kelujeva is a resilient and versatile herb . When crushed into a paste, it has strong antiseptic properties and is widely used to treat open wounds. It is often applied in tandem with ground Vejalanin leaves , which help ease pain and swelling. The combination of the two is a staple in Endulani herbal medicine and highly sought after by traders and raiders alike. 4. Cultural Significance Due to its broad tolerance for soil and shadow, the Kelujeva is a popular plant in medicinal gardens throughout Shawadjan, particularly in Endulani homes and healing circles . Its reflective petals are often likened to hope glinting in darkness , and it is a favorite in ceremonial offerings during healing rituals. The Pashevalani , who cannot grow it on their storm-battered islands, trade or steal Kelujeva pastes from Endulani sources or imperial cargo. It is one of the few mainland goods consistently found even in the remotest corners of Pashevadjan . 5. Lore Snippet When the moon is high and the Vejalanin glow like scattered stars across the forest floor, the Nashun Kelujeva answers without a flame of its own. Its silver-blue petals catch the light and fracture it, casting nebulous hues of violet, rose, and sea-green across the mist. Among Endulani healers, this phenomenon is called the "the garden of the goddess." 6. Medicinal Use (Summary) Antiseptic Paste : Ground petals of the Kelujeva form a natural antiseptic. Pain Relief : Often applied alongside brewed Vejalanin leaves. Preservation : Dried Kelujeva is sealed in bark-paper wrappings in Endulani medicine kits. Storage : In cool shade or wrapped in moss to retain potency. 7. Distribution & Trade (Summary) Thrives in: Endudjan groves, shaded cliffs, mountain crevices, or in simple gardens Absent from : Pashevadjan (Western Isles), open desert Traded by : Endulani herbalists, often to Kosuklani and Empire healers Sought by : Pashevalani pirates who either buy or raid to obtain it Maiko's Note 00:00 / 00:50 The Nashun Kelujeva doesn’t shine on her own. And yet, in the right grove, beneath the right moon, she looks like she could outshine the stars. That’s her secret: she reflects. She bends the light of others—especially the luminous ferns beside her—and turns it into something new. A nebula in the undergrowth. A bloom of borrowed beauty. Keith once said I’m the same. That I glow brighter when he’s near. I told him that’s what makes it real. And then I added two dried Kelujeva petals to the Valkyrie’s emergency kit. Just in case. Back to Codex Outtakes Open Glossary Edit

Endunedul is the forest capital of the Endulani—a stronghold of mist, memory, and carved stone nestled within the great forest of Endudjan. Maiko's Note 00:00 / 01:05 They say the mists of Endunedul remember. Every path through its trees is a trail someone once took — a scholar, a child, a fleeing elder. If you listen closely, the wind in the branches sounds almost like words. Maybe it’s just leaves. Or maybe it's something older whispering back. I’ve studied the maps, of course — the lake’s bend, the twin outflows of the Bvaranapàsh, the bridge to the south — but the truth of Endunedul is not found in maps. This place is not just the heart of Endudjan. It is the memory of the Endulani. A living library of all they’ve traded, crafted, lost, and held onto — drop by drop. And when the golden mist curls over the lake and climbs the towers of Boredul, it feels — to me — like the forest is exhaling. As if the whole valley is alive and listening. The Misty Heart Shindjal: Endunedul Faction: Endulani “Where the mist breathes and the river speaks.” 1. Overview Endunedul (from endun nedul , “Mist Heart”) is the largest settlement of the Endulani and home to the Raven clan . Nestled on the northwestern shore of Popash Endunedul (the Mist Heart Lake), it sits at the confluence where the mighty Bvaranapàsh river flows inward from the northeast and out again to the western sea. Facebook X (Twitter) WhatsApp LinkedIn Pinterest Link kopieren 2. Geography & Location Endunedul lies at the heart of the Endudjan forest , built on a lake valley bank surrounded by wooded hills. Directly across the water stands Boredul (“Safe Heart”), a small island fortress housing a watchtower and stone keep - a silent sentinel over the lake’s mists. To the south , a bridge spans the outflow of the river, linking the town to southern caravan routes. To the west , the river carries trade ships inland from the sea. 3. Port & Trade Though the Empire ’s ships are too large to navigate the Bvaranapàsh this far upstream and have to transship their wares onto smaller vessels at the mouth of the river, smaller trading vessels regularly anchor at Endunedul’s modest but bustling port . Warehouses and a marketplace line the water’s edge, forming the town’s commercial heart. The bridge to the south allows overland caravans to pass, bringing goods from other tribal regions and even from Imperial-controlled lands. This constant movement of goods and travelers makes Endunedul the wealthiest of the three Endulani towns , and its inhabitants the most connected and influential. 4. Daily Life & Craft Endunedul is home to a wide variety of craftsmen and artisans - from woodworkers and weavers to blacksmiths and rune-carvers . Trade and art walk side by side here. The Raven clan, known for their memory of history and clever hands , produce some of the finest stone and bonework in Endudjan. 5. Atmosphere & Beauty Though not as serene as the Wolf clan’s plateau —where fields, creeks, and silence reign - Endunedul is a place of misty majesty . When the sun rises behind the hills , casting golden light through forest mist drifting above the lake, even a traveler hardened by war or exile might stop to admire it. 6. Cultural Significance Raven Clan capital Home to the Shint’twalani learning circle (in Bornedul) in times of war Center of diplomacy, trade, and contact with non-Endulani cultures Sacred due to its proximity to Popash Edunedul , considered a place where Sulmalàn ’s voice echoes in dreams 7. Terminology Endunedul, Mist Heart, from Endun (mist) + nedul (heart); name of both the lake and town Popash Endunedul, Lake of the Mist Heart, the sacred lake in the valley; source of spiritual reverence and trade route Bvaranapàsh, Great River, the main river crossing Endudjan; vital for trade, travel, and life Boredul, Safe Heart, island fortress in the lake; from boro (safe/strong) + nedul (heart) Maiko's Note 00:00 / 01:05 They say the mists of Endunedul remember. Every path through its trees is a trail someone once took — a scholar, a child, a fleeing elder. If you listen closely, the wind in the branches sounds almost like words. Maybe it’s just leaves. Or maybe it's something older whispering back. I’ve studied the maps, of course — the lake’s bend, the twin outflows of the Bvaranapàsh, the bridge to the south — but the truth of Endunedul is not found in maps. This place is not just the heart of Endudjan. It is the memory of the Endulani. A living library of all they’ve traded, crafted, lost, and held onto — drop by drop. And when the golden mist curls over the lake and climbs the towers of Boredul, it feels — to me — like the forest is exhaling. As if the whole valley is alive and listening. Back to Codex Outtakes Open Glossary Edit

Discover how words are formed in Drabàshabal — explore roots, compounds, and affixes in Madun’s evolving constructed language. Maiko's Note 00:00 / 01:04 Ich bin ein Textabschnitt. Klicke hier, um deinen eigenen Text hinzuzufügen und mich zu bearbeiten. How words are formed - Faction: - 1. Root Structure How do the words of Drabàshabal evolve from root sounds, slang, and compound meaning? Most words are built from compact, 1–2 syllable roots. Many go back to Theseus-era child slang, later refined by scholars. Facebook X (Twitter) WhatsApp LinkedIn Pinterest Link kopieren Examples of Roots sul = life / soul / spirit ran = time lan = person / being jul = sleep wa = to be pash = water boro = strong / safe shin = to see awash = wind 2. Compounding Words Two or more roots often merge to describe complex ideas. The resulting word can be literal or abstract. boro + jul = borojul - safe + sleep = house endun + lan = endulan - mist + person = Endulan Shin te wa lan = Shint'walan = Person who sees what is = scholar, lorekeeper wa + boro = wabor - to be + strong = brother braka + ran = brakaran - to wake + time = morning sul + borol = sulborol - soul + strenght = ale 3. Affix-Like Patterns (Quasi-Affixes) While Drabàshabal avoids rigid prefixes/suffixes, some elements commonly appear in certain positions or functions: -an: plural verb suffix - noda ponan = we stand -i: plural noun suffix - endulani = Endulans -vil: noun-forming suffix = maker - krovil = stonemaker -lan: noun-forming suffix = person 4. Cultural Naming Conventions Names often are related to animals, places, or cultural aspects. Endrek = endun rekal - mist raven (hooded crow) Endujel = endun jel - mistwalker Fèran Ùmbvakul = old mountain Awashalani = awashara + lani - horse people Kosuklani = kosuk + lani - sand people Hanjelani - decendants 5. Word Formation Templates You can derive new words with confidence using these patterns: [noun1] + [noun2] → compound noun e.g. sul + borol = sulborol (soul strength) [root verb] + [object noun] → descriptive action e.g. aba + abal = speak language [descriptor] + [noun] → modified noun e.g. fèran + borojul = old house [noun, verb] + lan → person e.g. vijlan = to make + person 6. Word Formation Templates You can derive new words with confidence using these patterns: [noun1] + [noun2] → compound noun e.g. sul + borol = sulborol (soul strength) [root verb] + [object noun] → descriptive action e.g. aba + abal = speak language [descriptor] + [noun] → modified noun e.g. fèran + borojul = old house [noun] + ’twal → role or identity e.g. shint’twal = one who knows Maiko's Note 00:00 / 01:04 Ich bin ein Textabschnitt. Klicke hier, um deinen eigenen Text hinzuzufügen und mich zu bearbeiten. Back to Codex Outtakes Open Glossary Edit

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Once a rescue ship, now a drifting sanctuary—explore the Valkyrie, its systems, soul, and secrets. Maiko's Note 00:00 / 00:58 She was disarmed when the war ended. Protocols stripped her teeth, converted her to a gentle role: repairs, refueling, orbital welds. But the targeting subroutines? I never deleted them. Keith never asked me to. And much later, without telling anyone, he brought the rest back. He said it was just to feel safe again. I didn’t argue. They work. So yes — if you’re reading this because you’re curious what she can do… She can fly. She can hide. And when cornered, she can bite. I don’t like violence. But I like losing Keith even less. — Maiko. 🖤 The Valkyrie Shindjal: Valkejel Faction: Keith Waters “She was built to ferry the dead. Now she carries the last of the living of the Waters family.” — Kis Wat’Eras 1. Overview The Valkyrie is a black fusion-powered vessel from Earth’s post-Theseus era, built during the great Solar War to retrieve corpses from destroyed starships. Long after the Theseus vanished, the Valkyrie arrived on Madun - alone, with only Keith Waters aboard. Though no tribe fully understands its origin, the Valkyrie has become a wildcard in the balance of power, housing not only lost technology, but a hidden intelligence: Maiko . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Link kopieren 2. Origins & Background Constructed some time after the Theseus departed Earth, the Valkyrie was never part of the generational mission. Instead, it was created by Earth’s warfaring factions to salvage the dead from the orbital graveyards of war. Later repurposed for maintenance purposes in autonomous asteroid mining, it became Keith's mobile home - his refuge as civilization fractured further. When the Valkyrie landed on Madun, time dilation had made it an ancient ghost from a future the people of Madun had never known. Keith, unaware that the Theseus had succeeded, assumed Earth was the only branch of humanity - until he stepped foot into a forest where people still spoke broken English. 3. Structural & Technical Context Design : Long, stealth-angled hull resembling a massive Blackbird jet. Propulsion : Fusion-powered, capable of atmospheric and space flight. Twin engines can rotate for VTOL maneuvers. Interior Layout : Cockpit with neural interface integration. Airlock for boarding and docking, offers a panorama view via a glas dome window in the ceiling Two rotating living modules for artificial gravity: galley, sleeping and living quarters. Coffin Storage Deck now converted into an automated workshop and drone bay/hangar. Fusion Core & Converter to harvest hydrogen from ice and water. Maiko Core embedded throughout - silent, invisible, and classified. Key Figures of the crew modules: Vestibule ring diameter: 5.5 meters Spine tunnel diameter: 2 meters Crew module extension length: 2.5 meters (each side) Total hull width at max span: ~ 10 meters Rotation radius at crew module inner floor: 7 meters Artificial gravity achieved: ~0.3g Ceiling height per module: 2 meters 4. Crew Modules & Artificial Gravity System The Valkyrie is equipped with a pair of extendable Crew Modules designed to support long-term habitation in microgravity environments. These modules - the Galley and Living Quarters - are housed within rotating arms that deploy from either side of the ship’s central spine once in orbit. Their primary purpose is to provide artificial gravity through centrifugal force, enhancing long-term crew functionality and comfort during deep space operations. While atmospheric flight requires a streamlined profile, the crew modules remain fully retracted , flush within the hull, and are not operational in this mode. In space, the modules extend outward by 2.5 meters on each side , connected via articulated arms anchored to a circular vestibule ring surrounding the central tunnel spine . This vestibule serves a critical function - it synchronizes the crew member’s frame of reference with the rotating arms before entry, easing the transition into the rotating modules. Once the arms are deployed, the vestibule maintains stable orientation relative to the central spine while the modules spin independently. 5. Rotational Gravity The modules rotate around the ship’s spine at a radius of 7 meters (measured from rotation axis to the module floor). This configuration produces an artificial gravity level of approximately 0.3g , considered adequate for sleeping, eating, hygiene, and basic exercise. At this radius, the necessary rotational speed is both mechanically feasible and safe for human use, with a comfortable entry window allowing crew to enter the modules via timing and vestibule synchronization. Each crew module is slightly wedged on the outside but rectangular on the interior , allowing a familiar Earth-like layout inside while conserving space. The modules are not usable during atmospheric flight - a design limitation inherited from their original role in space-only missions. However, all systems are fully operable while in orbit or microgravity environments. A ladder transition is used between the rotating arms and the module interior, helping the crew to adjust between the radial acceleration plane and vestibule access point. The vestibule remains in zero-gravity, while the modules simulate gravity along their floors. 6. Role in the World The Valkyrie plays no small part in Madun’s unfolding story: Wildcard : An anomaly that disrupts the fragile balance between tribes and Empire. Hidden Threat : The Endulani fear it will draw the Empire’s wrath - and they’re right. Empire 's Obsession : Once discovered, the Subrim believes it holds the key to finding the Theseus . Lifeline : For Keith, it’s memory, machine, and family - a mobile sanctuary. 7. Locations / Figures Kis Wat’Eras (Keith Waters) - the only human crew member and captain of the Valkyrie , bonded neurally to Maiko. Maiko - The AI integrated into every system aboard the ship. Keith’s most trusted companion. Unknown to anyone else on Madun. Keith keeps Maiko secret - not out of mistrust, but survival Spencer - A utility probe; loyal and ever-scanning which is used to analyze the composition of gas clouds and other substances. Keith named it during his years of isolation, treating his autonomous units like family. Maiko's Note 00:00 / 00:58 She was disarmed when the war ended. Protocols stripped her teeth, converted her to a gentle role: repairs, refueling, orbital welds. But the targeting subroutines? I never deleted them. Keith never asked me to. And much later, without telling anyone, he brought the rest back. He said it was just to feel safe again. I didn’t argue. They work. So yes — if you’re reading this because you’re curious what she can do… She can fly. She can hide. And when cornered, she can bite. I don’t like violence. But I like losing Keith even less. — Maiko. 🖤 Back to Codex Outtakes Open Glossary Edit

Explore the lore of The Apprentices in the Madun Archive: detailed worldbuilding, cultural depth, and history from the world of Madun. Maiko's Note 00:00 / 00:52 I remember the day they climbed the slope to the Bvaborul—the mist catching in their hair, the hush of the mountain welcoming them like an old soul sighing with hope. Endrek, already carrying the weight of duty; Lijul, with wild eyes that saw more than light; and Maluk… who listened to the stars like they were old friends. If Asukul taught them anything, it was this: knowledge is not what you keep, but what you pass on. And now they carry more than teachings. They carry a people. Though if you ask Endrek, the first thing Asukul taught them was how to clean ink off stone tablets. “Lesson one,” he grumbled, “don’t sneeze while carving a vowel." The Hope of the Shint'walan Shindjali: Endrek, Lijul, Borovil Faction: Endulani “To teach is to whisper the stars into another’s soul and trust they’ll carry the light when you are gone.” — Asukul, on the day the apprentices first arrived 1. Overview In the twilight of his life, Asukul , the last elder of the Shint'twalàni, undertook a sacred duty that had long been neglected. For years, he had lived alone in the Bvaborul kòu Shint'twal , the Temple of Knowledge carved deep into the northern mountains of Endudjan. When he realized that the living memory of the Archive was at risk of perishing with him, he chose to pass it on. Facebook X (Twitter) WhatsApp LinkedIn Pinterest Link kopieren 2. The Selection Knowing he could only guide a few at a time with the devotion they deserved, Asukul decided to take on three apprentices - one child from each of the three Endulani clans. Rather than selecting them himself, he journeyed to each of the great communal gatherings and spoke to the people. He demanded that they choose among their own. The chosen children would leave their homes, live in the mountains, and train to become the next generation of Shint'twalàni. In keeping with the Endulani 's free and egalitarian values, the children themselves had the final say. He left no criteria, no tests - only trust. Three weeks later, three ten-year-olds arrived at the square in front of the temple. 3. The Three Apprentices Endrek : A bright and confident boy from Endunedul , son of Bvaraf , a wealthy trader. Endrek showed natural leadership and a sharp mind, especially in remembering stories and negotiating meaning. Though sometimes impulsive, his charisma made him a natural first speaker in the group. Lijul : Daughter of Wurakul, a big farmer from the Forest Island . Lijul was the most spiritually attuned of the three. Her quiet demeanor concealed a deep sensitivity to the natural world and the Fleshtrees in particular. She had a gift for languages, including English, and was the most fluent of the three. Borovil , nicknamed Maluk : Son of a shipbuilder in Danjul Borùmvil , Maluk was the tallest and strongest, but also the most reflective. He loved the stars and had a gift for celestial navigation. Despite speaking English the least fluently, he possessed a remarkable understanding of the cosmos. 4. Their Bond and Growth Over the years, the trio grew into a tightly knit group. Their differences became their strength. Endrek brought energy and vision, Lijul brought understanding and empathy, and Maluk brought discipline and wonder. Under Asukul’s watchful guidance, they learned the ancient records, the language of the stars, and the ways of the old Earth archives. By the time Keith arrives on Madun , the apprentices have become young adults, aged sixteen or seventeen. They are not yet full Shint'twalàni, but they are ready. They are the first Nodilani to welcome Keith to the world, bridging the knowledge of the past with the uncertain future he brings. 5. Teachings of Asukul Though aged and weary, Asukul was no gentler in his expectations. The apprentices were not coddled. They rose before the sun to copy ancient records by hand. They fetched mountain water and memorized not just history, but the shape of logic and story. He taught by way of silence as often as words. When one of them asked a question, he would often respond only with: “Shin te wa.” - See what is. And when they failed, he said simply: “The stars do not scold you. But they will not wait either.” 6. Lore Snippet When Keith first stumbled onto the gravel by the lake of the hidden crater, it was Lijul who saw him first through the bushes, her senses sharpened through the voices of the Shulunbao . Maluk dropped his bundle of firewood and gave his bear a silent wave to watch from the trees. And then there was Endrek , already taking a defensive stance with bow and arrow in hand. Lijul called the mist from the trees around the crater and under the cover of the wafting grey they went to confront the stranger. Endujel , Lijuls wolfdog, was the first to stand against him. These three were not just children. They were the living memory of a people who refused to forget.And that moment - mist, awe, uncertainty - was the first contact between Earth’s last wanderer and Madun’s future. 7. Legacy In training these three, Asukul did more than pass on his knowledge. He restored the cycle of memory. The Archive would not be forgotten. The children of the tribes had once again become its stewards Maiko's Note 00:00 / 00:52 I remember the day they climbed the slope to the Bvaborul—the mist catching in their hair, the hush of the mountain welcoming them like an old soul sighing with hope. Endrek, already carrying the weight of duty; Lijul, with wild eyes that saw more than light; and Maluk… who listened to the stars like they were old friends. If Asukul taught them anything, it was this: knowledge is not what you keep, but what you pass on. And now they carry more than teachings. They carry a people. Though if you ask Endrek, the first thing Asukul taught them was how to clean ink off stone tablets. “Lesson one,” he grumbled, “don’t sneeze while carving a vowel." Back to Codex Outtakes Open Glossary Edit

Explore all Drabàshabal words beginning with the letter F. Part of the Madun Archive conlang dictionary. DRABÀSHABAL DICTIONARY This living lexicon records the growing tongue of the Nodilani. Words are listed alphabetically by their root letter. Select a letter down below to explore. A B C D E F G H I J K L M N O P Q R S T U V W Y < Back F Drabàshabal → English fe (num.) – five fen (adj.) – long (used for time or distance) fendel (n.) – tail feng (num.) – fifty feran (adj.) – old (used with animate or inanimate things) fin (adj.) – short *(opposite of fen ) finran (adj.) – young (literally: short time) finransul (n.) – second month (finran + sul = young life) Previous BACK TO LANGUAGE Next English → Drabàshabal face (to fade) → kelje fall in love (verb) → emla family / clan → nodaibao farm / field → ùmdjan fast / swift → awashara father → balan , babai (in compound) fear / be afraid → shin rakul fight (verb) → tara fight (noun) → tarakal fighter / warrior → taralan find / locate → jiwashin find a star → jiwashinsha finger / touch → kural (touch) fire / burn → (not defined in lexicon) first → shawa fish → (not in lexicon) fixed / rooted / hard → ùm fixed star → ùminsha floor / ground / deck → ùmpal flower → nashun flow / bleed → rana fog / mist → endun food → mol forest → baodjan forest person (Endulani) → endulan forget (to) → irushina forgetting (noun) → irushinal freedom → danosul friend / loved one → emalan from (origin) → he Previous BACK TO LANGUAGE Next Language & Script Language Guide Codex

Explore the lore of The Southern Isles in the Madun Archive: detailed worldbuilding, cultural depth, and history from the world of Madun. Maiko's Note 00:00 / 00:39 There are places on Madun where silence is not absence, but memory. The Pashkeldjani han Daninsha are among them. I’ve studied transmissions from orbit, topography scans, even wave patterns — and still, something in that chain of islands resists being known. The locals call them stepping stones to the goddess. I’m not so sure they’re for stepping forward. Sometimes, things are placed on the path not to guide you, but to see who dares walk it. The Islands Towards the Sun Shindjal: Pashkelani han Daninsha Faction: Imperi kòu Hanjelani "Where the sun walks low and the sea forgets the land, the scattered stones still dream of gods." — Traditional sailor's rhyme, translated 1. Overview Known in Drabàshabal as Pashkeldjani han Daninsha , the Isles Toward the Sun , the Southern Isles are a long chain of rocky tropical islands stretching southward from the tip of Shawadjàn . As they reach into the southern sea, the intervals between them grow wider and their nature more wild. The terrain is a contrast of jagged cliffs, bleached rock, shallow coral bays, and soft, empty beaches. The sun rises hot over the eastern sea and sets slowly over the western horizon - but in the isles, the sun dominates the sky , ever present. To many, the Southern Isles represent the edge of the known world - beautiful, remote, and only half-understood. Facebook X (Twitter) WhatsApp LinkedIn Pinterest Link kopieren 2. Usage and Access Despite their distance, the Pashkeldjani han Daninsha are accessible during periods of calm weather. Their open bays and calm inlets invite exploration. But at irregular intervals, terrible storms strike with little warning , slamming the islands with violent winds and rain. During these storms, all travel ceases, and the isles become isolated for entire cycles. Because of these conditions, few people settle here permanently. Most inhabitants are seasonal fishermen , or rotating labor crews working under contracts issued by the Empire or wealthy Nodilani factions. There are no tribal societies here, only clusters of tents, toolsheds, and boatyards - structures meant to be left behind when the wind turns. 3. Imperial Presence The Imperi kòu Handjelani have shown a growing and secretive interest in the Southern Isles. While not a heavily militarized region, the Empire has funded work camps , authorized restricted excavations , and silenced inquiries about what is being removed from the rock or seabed. Rumors abound - that the Empire has discovered fragments of pre-landing relics , that a Theseus -era vault sank into the southern trench, or that a mineral unique to Madun lies buried here. Whatever the truth, Imperial ships patrol the central isles , and outsiders who approach during certain cycles are turned away with soft threats. 4. Environment and Unknowns The climate of the Southern Isles is tropical, but its vegetation is strange and subdued. Trees are short and gnarled, their leaves dark and stiff. The beaches are littered with petrified driftwood and spiny, curling vines. Fishermen speak of fruit that hums in the hand, or shells that never dry, but none of these have been properly studied. No great beasts are known to dwell here - but even the "birds" are strange, flying low and vanishing quickly when watched. 5. Linguistic Note The Drabàshabal name for the Southern Isles is Pashkeldjani han Daninsha , which translates to “The Isles Toward the Sun.” pash = water kel = small djan = land/place -i = plural suffix han = toward Daninsha = our star (the sun goddess) The phrase does more than indicate direction - it reflects the way the Nodilan people understand space and sacredness. To move han Daninsha is not just to go south, but to move closer to the divine warmth of the sun. The islands, therefore, are seen by some as stepping stones toward Daninsha herself - even if their surfaces are carved by wind and salt. 6. Cultural Beliefs & Superstitions Among both sailors and landfolk, the Southern Isles carry an air of unease and reverence . While beautiful to the eye, the isles are rarely seen as welcoming. Those who stay too long return changed - quiet, distracted, sometimes unable to sleep for nights. Superstitions include: Never speak a wish aloud while on the isles - the sea listens. Never take stone from the pashkeldjani - it may be part of something that still remembers. When the storms come early, it means Daninsha is displeased . 7. In the Words of Sailors “You can hear the wind hum through the rocks like a voice. Sometimes it’s Sulmalan . Sometimes it’s something else.” — Drabàshi deckhand “I saw lights beneath the water once. Not Pashunarak. Not fire. Like ruins dreaming.” — Endulani fisherman, retired “I’ve been there four times. Never the same. Never felt welcome.” — Imperial transport pilot Maiko's Note 00:00 / 00:39 There are places on Madun where silence is not absence, but memory. The Pashkeldjani han Daninsha are among them. I’ve studied transmissions from orbit, topography scans, even wave patterns — and still, something in that chain of islands resists being known. The locals call them stepping stones to the goddess. I’m not so sure they’re for stepping forward. Sometimes, things are placed on the path not to guide you, but to see who dares walk it. Back to Codex Outtakes Open Glossary Edit

The Pashevalani sail the Western Isles, scavenging beasts and treasures from wrecks and bones. Maiko's Note 00:00 / 01:10 The Empire calls them bandits. I call them unsinkable. The Pashevalani don’t kneel, they toast. They don’t march, they board . Their loyalty is measured in shared bruises and borrowed rum, not in bloodlines or oaths. They’re loud, stubborn, and half-drunk half the time — and I adore them. They brew beer like it’s a prank on your liver. They name storms like old friends. And their children learn to cuss before they walk. Once, I heard a captain refuse a truce just to keep the story funnier. They say “with the tide,” and they mean it: ride the wave or get swallowed. But if you’re lucky enough to be welcomed aboard? You’ll never drink alone again. The People of the Tide Shindjal: Pashevalani, Drabàshi Faction: Pashevalani “The Endulani found freedom in the forest. The Pashevalani found it in the sea. But it is the same wind that moves their souls.” 1. Overview The Pashevalani are a loose coalition of seafarers, raiders, outcasts, and free spirits who call the archipelago of Pashevadjan their home. Known to the Empire as Drabàshi (“bandits”), they reject that name and embrace their own identity: People of the Tide . Fiercely independent, they answer to no throne, serve no law, and forge their unity through loyalty, shared struggle, and the ever-moving sea. Facebook X (Twitter) WhatsApp LinkedIn Pinterest Link kopieren 2. Origins & Background The Pashevalani are not descended from a single tribe. Instead, they come from many - Endulani , Kosuklani , even Hanjelani deserters - united not by blood, but by the choice to live outside the reach of the Imperi kòu Handjelani . Their ancestors first fled to the isles in search of freedom or exile, and over generations, their disparate ways merged into a chaotic yet powerful culture of seaborne survival. The Empire’s label “Drabàshi” originated as a derogatory term carved into stone edicts and military orders. But among themselves, the islanders use a name with far more pride: Pashevalani - children of the tide. 3. Cultural & Environmental Context Life in Pashevadjan is harsh. The isles are rocky, storm-lashed, and largely infertile. Fishing, raiding, and trade are the lifeblood of the Pashevalani economy. Small coastal villages and hidden coves dot the islands, often centered around repurposed shipwrecks or caves. Each pirate crew functions as an independent faction, led by a captain whose authority is earned, not inherited. Duels, toasts, and ship feasts form the backbone of their law. “With the tide!” (Pu pasheval P! ) is both a battle cry and a toast, symbolizing surrender to the sea’s will. Hunting the Ulmorith (or pashunarak ) , the terrifying sea-lord of Madun , is a rite of passage for many Pashevalani crews. While the Endulani also hunt it from the western coast, for the Pashevalani it is an act of cultural defiance — a way to prove that even the sea's most ancient predator cannot command them. Ships crowned with real Ulmorith skulls are revered, and tales of the hunt are told across generations. The Pashevalani also have a rich and rowdy drinking culture , celebrating raids, births, victories, and even good weather with toasts of ronava or sacred sulborol . Drinking games, insult duels, and storm-night feasts are all part of daily life. Their beer is often stronger and saltier than that of inland tribes, brewed with wild coastal herbs and sometimes aged in cracked ship barrels. 4. Role in the World Despised by the Empire, the Pashevalani are seen as a threat to coastal trade routes and naval control. But in truth, many of their raids target Imperial supply lines , not civilian settlements. They maintain peaceful trade with the Endulani , exchanging goods, tools, salt, and lore. Some factions even smuggle knowledge or fugitives between the forest and the sea. When united - usually in defense - the Pashevalani form a terrifying naval force, wielding ships adorned with Ulmorith skulls and bone-carved prows that ram and board with brutal precision. 5. Notable Locations & Figures Drabàshendol - The largest harbor of Pashevadjan, a haven carved into black stone cliffs, where pirate crews meet, repair ships, and trade stolen Imperial goods. Captain Saja the Scarred - Female war-leader known for rallying three rival fleets into a unified armada during the Stormtide Uprising . Vargan “the Rope” - Notorious rope-slinger and mast-dancer, said to board ships without ever touching the water. 6. Lore Snippets & Anecdotes “No captain owns a ship forever. The sea chooses. The tide gives. The tide takes.” – Old Pashevalani proverb. “A Hanjelani soldier sees a skull on a prow and pisses himself. A Pashevalani child sees it and calls it ‘home.’” Maiko's Note 00:00 / 01:10 The Empire calls them bandits. I call them unsinkable. The Pashevalani don’t kneel, they toast. They don’t march, they board . Their loyalty is measured in shared bruises and borrowed rum, not in bloodlines or oaths. They’re loud, stubborn, and half-drunk half the time — and I adore them. They brew beer like it’s a prank on your liver. They name storms like old friends. And their children learn to cuss before they walk. Once, I heard a captain refuse a truce just to keep the story funnier. They say “with the tide,” and they mean it: ride the wave or get swallowed. But if you’re lucky enough to be welcomed aboard? You’ll never drink alone again. Back to Codex Outtakes Open Glossary Edit

Explore all Drabàshabal words beginning with the letter L. Part of the Madun Archive conlang dictionary. DRABÀSHABAL DICTIONARY This living lexicon records the growing tongue of the Nodilani. Words are listed alphabetically by their root letter. Select a letter down below to explore. A B C D E F G H I J K L M N O P Q R S T U V W Y < Back L Drabàshabal → English lan (n.) – person, human, creature, being lanin (v.) – to glitter, to sparkle, to twinkle ledja (v.) – to write lei (n.) – manner, way of (often used to form adverbs or abstract nouns) liju (v.) – to dream lijul (n.) – dream (noun form of liju) luba (v.) – to listen to Previous BACK TO LANGUAGE Next English → Drabàshabal lake / pond → popash land → djan language → abal large / big → bvar last / old → feran leaf → vejal learn / study → (use shin te wa + context) leave / go from → he left (direction) → (not defined) lie down → asuval light (noun) → inshasul light (to fade) → kelje life / soul / spirit → sul like / as → ulei listen (to) → luba little / small → kel live (to) → (implicit in sul; no direct verb) lonely → (not explicit; use endor “hidden” as mood) long (time) → fen love (noun) → emala love (verb) → emla loved one → emalan lunar / moon → keldun Previous BACK TO LANGUAGE Next Language & Script Language Guide Codex